Archive for February 2011
Having given you a taster of what is to come in a specially produced three part special music post in our prologue (direct link ) it’s now time to crack on with our devotion to this multi mixing master that will definitely be missed on the scene when he hangs up his boots on 13th March at Beyond. So, in this first tribute report we take a look at “the man & his mixing”, sharing extracts from posts honing in on this special skill, thus giving you an insight as to what makes Alan quite unique among his equals & peers.
Now, we keep talking of this skill, which for the well informed musical ears in you will be a familiar term, but what is multi mixing and why the association with Alan K? Well, to demonstrate best what we mean, here is a segment extracted from a commissioned biography we issued in July last year.
“…When it comes to the art we call “multi-mixing”, blending three sometime four records into one, there is no doubt that Alan Adams, better known behind the decks as Alan K, is the true master at this art. To say that this man’s work is pure genius is a bit of an understatement, as never have we seen someone create such energy & vitality through his mixing that rouses any audience to such heights that the atmosphere is sent stratospheric and the breath is simply taken away with the dynamism & depth that his mixing skills give to his sets. Studio productions of tracks having a similar effect and not a performance of his goes by where we are not blown away with yet another new Alan creation that leaves us in a dancing dervish…”
To further cement this multi mixing talent of his, in April of the same year we issued a music special entitled “Multi Mixing Maestro’s”, which included a piece on Alan & this superb skill he has for blending beats.
“…his real passion is in mixing, not just one record into the other, but blending a whole host of sounds & tracks, giving immense depth to dancefloor hits recognisable to ardent clubbing fans. This is a continual feature both of Alan’s live sets & his studio work and whilst the constraints of some clubs equipment don’t always allow him to exercise these mixing skills directly in front of his audience, he tirelessly works on recording blends away from the clubs, then arming himself with suitable multi mixed recordings to delight his crowd. We can only imagine how difficult it is to combine three, sometimes four different tracks and just how much hard work & concentration goes into selecting the appropriate tunes to intertwine, but Alan seems to scintillatingly succeed and the results have often left us breathless in admiration, two brilliant examples being a delightful combo of sounds when he played out Celada’s “The Underground” at the As One party on NYD and at Beyond two weeks ago, when floor filler favourite Zoe Baldwin’s “Release Me” benefitted brilliantly from the Alan K treatment.
However, his sets are well & truly littered with other examples, not only making his sound fresh & vibrant, but ensuring, particularly at Beyond, the dancefloor remains packed & the crowd mesmerised by his performances. Now, we highly suspect to achieve this unique sound, the equipment needs to be as good as the D.J. and in amongst the plethora of options & manufacturers choices, Alan explains “…I would love it if someone would come up with a machine that allows me to blend a handful of sounds to create that unique style I aim & crave for, but in the meantime, I do it the hard way…” he going on to say “…all that hard work & managing the limitations of the equipment at my disposal is worth it when you see the reactions on people’s faces to the results…”. And we are definitely one of those people that really admire what he does & how he does it, the sheer enthusiasm that he exudes, either multi mixing live or playing out the studio work results, pure magic…”
All that said, there is nothing like witnessing the main in action and we were very privileged to be invited up behind the decks to watch Alan mixing in, two, three & even four tracks into one, the reactions from the crowds as he crafted his art, second to none.. Indeed, the occasion last year at Beyond was truly memorable, Alan waving up into the Area D.J. booth where we saw this master at work, disc’s spinning simultaneously yet blended brilliantly those rapturous reactions from the revellers below evident for our eyes to see and our ears to hear, whoops, shouts & chants to Alan’s creations adding to the already amazing atmosphere to was building with his unique recipe of tunes. Two further opportunities that cam our way were at Fire, both during Lovechild “Wet” and As One on NYD 2010, the crowd reactions very similar to Beyond, the results of his mixing just the same, additional evidence displayed through some of the podcasts, although that is for forthcoming devotions
So, that “is the man & his mixing”, but what of some of that evidence, well, in part two we will be going into more detail on “the man & his music”, sharing more of those extracts from posts & reviews, as well as linking into some related podcasts he issued, to further highlight just how muck the multi mixing master will be missed. (DISCO MATT)
Well, you couldn’t get any fresher than this, as we have literally landed from another breathtaking Beyond, so it simply had to get our bite sized look in advance of the full review, which joins a growing list of those we still need to pen. But that aside, this “Erotica” event was exceptional, why?…well
We can hardly believe that it has been seven weeks since we last stepped foot into our favourite afterhours, yet braving Beyond was every bit as good as any homecoming should be, the early start for this “Erotica” event not dimishing from the quality of the club & the crowd. In fact far from it, as we arrived at just turned 4.30 a.m. and found the main room already packed & pumping, the dovetail arrangements with Queer Nation in the other two spaces working like a dream. But that wasn’t the end of our dreams that actually became reality, as Jonny M’s rousing opener of a set gave way to yet another pitch perfect & precision performance by Mr Pitron, Steve on top form and clearly revelling in his rapturous reception., a nod & wink in our direction confirming that heavenly homecoming. With a whole string of scintillating selections that saw us dance non-stop for the whole two hours, spinning on our spot, he was always going to be a hard act t follow, but Mikey D, as is tradition, took up the reigns resplendently, his set virtually equal with Steve’s in sublimeness, meaning the supporting cast of Hifi Sean & Paul Christian in The Chapel Room & the rest in The Terrace had difficulty following. Mind you, Sean’s set was a cracker, well from what we have been told, as we didn’t see much of it sadly, the main room getting our devotion for the duration, Paul Heron putting up a very credible crowd pleaser of a performance too, the “Erotica” theme eventually kicking in with Elektra Paris & her close knitted knot of dancers displaying their best on both the stage & the podiums. Add to all that, a bucket load of familiar faces that put recent horrors in our life to bed, for a while at least, photographer Chris Jepson one of many to break that imposter ice, although with a myriad more of mentions to come, we say “…its ready steady go for the review…” (DISCO MATT)
There could have been no-one more shocked than us when the news came through that Alan K was hanging up his D.J.’ing boots and disappearing into the disco sunset, the news of his departure from the scene leaving us pinching ourselves to make sure we were not dreaming. But sadly, the reality soon dawned that the man, whose multi mixing talents impressed us from the very first time we met him way back when at Later one Sunday afternoon, would no longer be around to entertain us, whether it be gyrating at Gravity, being audacious at A:M, or pumping at Popcorn. However, all those outstanding outings aside, it is Beyond where Alan’s tremendous talent will be missed the most and we find ourselves still imagining what the landscape at this award winning afterhours will look like without him, days after this shocking news broke.
So, with the sad truth that Alan will be curtain calling his D.J.’ing career at Beyond on Sunday morning 13th March, a final gig we will be missing as we will be about 35,000ft up in the air, given our absence we had to toast his farewell in our own special way. Therefore, marking the momentous occasion of his departure at this awesome afterhours, we have decided to commission a special tribute to the man, his music & those magnificent multi mixing skills for which he will always remain in our memory. And it seems fitting that, while we will be in the upper limits of the atmosphere come 13th March, Alan will surely have the crowd in Area totally stratospheric with another of those scintillating sets that we have so often savoured from our spot in Beyond.
Now, given how much he has impacted the scene with his towering talent, we will be splitting this special tribute into three parts, the first looking at the “the man & his mixing”, highlighting the superb skill he posses through extracts from some of the focuses we have done and the biography pieces commissioned. Then in part two we will hone in on his music & his live performances at clubs, “the man & his music” sharing further extracts, this time from reviews that recapture a whole load of those magical moments we savoured in Alan’s heavenly house hands and also touching on music compilations related to his performances. As for part three, well its seems only right that it is devoted to “the man & his Beyond”, a club with which Alan is synonymous, we hitting the pinnacle by showcasing the man at his brilliant best at Beyond, sharing snippets of our reviews of Alan in action and finally toasting this towering talent.
So, sit back and enjoy our trio of testimonials on the man, his music, his mixing and his mastery behind the decks, as well as what Alan K meant to us & many more, concluding why he will be so sorely missed. (DISCO MATT)
If there was ever a city to really capture our imagination in such a way that it left us floating on a cloud nine for much longer than we can remember, it was Antwerp, the diamond capital of the Benelux region of Europe and a city steeped in history. Having spent Christmas Day (well Eve & Boxing Day too) submerged in its charms, the substantial snow fall that left the streets & roof tops looking more festive than we could have dreamed for made for an even more enriching experience, however, being on duty along with London’s Lovechild crew, the proverbial jewel in our Antwerp crown was the city’s finest clubbing venue and one that has established a solid reputation, not just in its home city & country, but right across Europe. Connecting with a whole host of major brands from France, Spain Germany & even right here in London, has made it a hotbed of activity and a must visit when in Antwerp, especially on a Saturday, part of the reasons for our rapid if but reactive return.
We kind of fell for Red & Blue on our first visit in December, a little like we had done for the city and one of its inhabitants, the club impressing us from the moment we set eyes upon it, a very stylish affair with sumptuous lighting & decor, intermixed with a brick & steel industrial feel that reminded us of the glory of Fabric back here in London. With multiple levels surrounding the main dancefloor, an ample stage and an impressive D.J. booth, back dropped by a bank of screen’s Red & Blue oozed quality rarely seen in the capital, indeed quite a few clubs back home have followed suit on its style, places like Cable & Fire having adopted the brick look in attracting appeal. So, with this amazing Antwerp venue having attained such greatness in our eyes on just one visit, a return visit was always going to be on the cards, although quite so soon we were not expecting, the emotions we found ourselves caught up within finding plans were made within days of arrival back in London just after Christmas, the question remaining of our return, was it too soon and did it contribute to our almost average Antwerp experience?
With such an unforgettable start to our mini European tour, taking in the French capital with our Parisian pal Leomeo, then riding the crest of this wonderful wave with La Demence in Brussels, our return to Antwerp and to Red & Blue was filled with much anticipation, not least for the reasons we have already gone into, so stepping through its doors at just turned midnight and into the smart & stylish club space would have done a lot to disappoint, this attractive & appealing venue immediately delivering to expectation. Having easily negotiated the entry procedure, handled by the most engaging staff we had seen in out travels thus far, we found Red & Blue as we had left it, a sparkling & sumptuously affair already brimming with hopefuls intent on savouring the extent of the “I Wanna F***” event that was about to unfold. So, winding our way up to the top bar, from where we could get the best view of the rapidly filling dancefloor, we grabbed some energy boosting refreshments, suitably arming ourselves for this sex fuelled and music mounted magnificence.
Finding a space just right of the D.J. booth, a spot that have found our favour during our first visit, but then we tend to find purselves close to the D.J. booth whenever we go clubbing, in the capital or otherwise. Yet from this part of Red & Blue, we had probably the best view of the stage, or the various podiums around the place and, of course, the D.J. booth, a quick glance up confirming we were in the majestic musical hands of resident D.J. Elof De Neve, the man pumping out a superb selection of euro-style beats, uplifting vocal sounds and tech house drenches that had the dancefloor delirious with his selections, podiums topped with bare chested guys gyrating, the Red & Blue lighting & effects already at full tilt and the screens behind Elof flashing up images of the club and of the “I Wanna F***” brand for all to see. And see was now the operative word, as a further glance up towards the D.J. booth saw us connect with the effervescently bubbly & beautiful J.d Cerronez and then with Elof himself, both recognising us in an instant, invoking a hop skip and jump round past the stage & up onto the elevated position next to the D.J. booth to say our hello’s, both J.D. & Mr Neve embracing us like long lost friends, we feeling right back at home and as though we had never been away.
What followed can only be described as one of those purple patch moments in clubbing, an hour or so of excited exuberance in the company of J.d & co, seeing us “Doing The Disco Matt”, trading dance moves with the select bunch we found ourselves with, not to mention masses of moments of hilarity with Mr Cerronez, the music matching these priceless & magical minutes perfectly, the terrific talent Elof treating us to a storming selection of scintillating sounds, barnstorming beats & vocal infused euphoria that would put many a Matinee D.J. to shame. Indeed, the roof short of lifted off Red & Blue when he picked out one of our favourite tracks of now, Danny Verde’s vivacious remix of Blake Lewis’s smash “Till We See The Sun”, sending us into a spinning frenzy and the atmosphere in this “I Wanna F***” inspired event, stratospheric. With the first of a few stage & podium shows also adding to the fantastic feel, Spanish porn stars Ivan Alonso & David Korben making a sex fuelled impact with their steamy encounters, their muscled & hairy torso’s entwined in horny activity that certainly helped raise the blood pressure a notch or four, it seemed our encounter was going from strength to strength.
So now our Red & Blue experience was well underway, Elof & J.d especially helping towards this being one exceptional event to remember, but then entered Spanish guest D.J. Luiggi, who from the start of his set seemed a little out of sorts, a guy that, having topped a recent competition back home in Madrid, should have, on paper at least, been prolific in his performance, yet his apparent lack of enthusiasm, coupled with his evident struggle to capture the imagination of the Red & Blue crowd. Indeed his tough espaniol tainted tunes failed to ignite the same reaction as Elof had before, resigning us to return to our first found spot down on the dancefloor, which was distinctly thinning before our eyes. And with the euphoria of Elof’s scintillating set wearing off fast, with the sudden realisation that the usual in-bound final D.J. Ruben Winters, would not in fact be present, the slot having been given up for another “I Wanna F***” guest, on this occasion Frenchman Pier Mills, what was an astounding outing in this amazing Antwerp club, suddenly became almost average, we in fact wandering whether we would be able to stay the distance until the 7 a.m. finish.
With Elof & J.d melting into the night, along with a sizable amount of what had been a packed out Red & Blue, by the time it was Pier’s turn to ascend to the decks, the dancefloor was, at best, a quarter full, Mr Mills’ task to hold the event together an uphill one. However, his attempts to keep it on the rails was very commendable, the sudden spark of energy that had been missing in Luiggi quite evident in Pier, even the music more accessible & rousing, although grabbing our attention was always going to be difficult, our now virtually complete anonymity only broken by a familiar London face who had clearly spotted us around in Vauxhall or the like, all other traces from our Christmas visit markedly absent. So, with this rather uninspiring end to our second visit to Red & Blue, we took our leave of this stylish & sophisticated spot, wending our way back to our hotel to gather our thoughts on the evening and reflect on some of the heavenly highs and the lamentable lows on what could have been another rapturous Red & Blue re-encounter, but ended up being an almost average Antwerp outing.
Having spread our wings across into Europe in recent months, there is no question that we hold Red & Blue in high regard compared with the handful of other clubs we have visited, the whole feel & atmosphere of the club quite special and the people involved equally so. In Elof De Neve, the Red & Blue team have a terrific talent of a resident D.J. and his performance on this occasion once again impressed immensely, definitely further elevating him in our estimation and, as we hinted before, someone who would put many a Matinee D.J. to shame, especially with the truly tremendous set we had the privilege of witnessing. Yet, Elof aside and the exuberance of J.d Cerronez discounted, the rest of this “I Wanna F***” event failed to inject sufficient enthusiasm in us, the succession of stage shows that delivered plenty of x-rated action but didn’t quite impress enough, the performance by D.J. Luiggi, in our estimation, lack lustre and uninspiring sealing its fate. Add to that the absence of a couple of familiar faces, Ruben Winters especially being missed, and we were left with the conclusion that maybe our return visit was too unplanned & too soon, although thanks have to go Elof & J.d for that perfect purple patch moment that will live in our memory for months. (DISCO MATT)
With a blink of the eye we find ourselves already deep into February and the day of love already escaping us, yet we couldn’t let the moment pass without our own special devotion to the day, deciding to do so with our “Love To Love The Music” special post, With a handful of hot off the press new compilations released with Valentine’s Day in mind, as well as other mixes & tracks that have love underpinning them, we thought it an ideal opportunity to engross in a bit of musical love on behalf of this romantically charged day of the year. So, weeding out some of those releases that may have otherwise made it to our next music newsletter or linked to up-coming reviews, then including some tracks that are really doing it for us right now & that have love in mind, here is our take on Valentine’s Day, through what is without doubt our biggest passion, music.
First in this love inspired music special is Ben Jamin, a D.J. who actually makes his debut in our music posts, although is a terrific talent that has been cutting a stride for a number of years now, our first experience of his superb sounds coming in the days of Crash back at the turn of the century, yet the memories of his majestic music as fresh today as they were back then. His insatiable appetite for taking his audience on a journey with a difference, underpins his passion for his art as well as his skill for finding that new sound or style, very much putting Mr Jamin at the cutting edge of the alternative London clubbing scene that he now finds himself within, Shoreditch & The East End very much leading the way with genre’s like Nu Disco, Future House & the resurgence of NYC style Underground. So, in this special “…Valentine’s make out mix of dark disco & sleazy house…” Ben comes up trumps in that direction with a difference, his aptly named “Romantic And Filthy Minded” mix worthy of our inclusion in this Valentine’s special post and an equally worthy addition to your collection, which you can grab now at http://ben-jamin.podomatic.com/.
Now to another first, our first track related to love, very much in the lyrics rather than the title, a record we re-discovered only a few days ago, yet is a classic corker in our books and comes from our Hed Kandi days of disco heaven, probably a faze that inspired our name. Taken from the dance label & worldwide clubbing brand’s “The Mix : Summer 2004” treble album, Marley’s terrific track “You Never Know” is not one of those soppy love songs, but has love in mind, or should we say “…knocking at your door…” and is a glorious sun drenched scorcher that we simply couldn’t resist including, as like Ben’s offering, is something a little unexpected for Valentine’s Day. Given the LMC dub treatment on Hed Kandi, (http://youtube.com/watch?v=48idQ9CVR1w), the sundrenched element becomes obvious when you click on http://youtube.com/watch?v=XpGJjGG4Nrc and points you in the direction of summer and us, towards our trip home to South Africa.
Back to the love inspired compilations and next up is Chris Brogan, a D.J. that has been making musical waves a-plenty over the last few months, we enjoying a superb set of his when we took to the waves of The Thames back in October for a riverboat party that we will remember for a long time, appearances at Ministry of Sound, T-dance club T.T.D., and hip hop & happening Soho hangout Rupert Street, just three of a whole pile of gigs Mr Brogan has made his presence felt over the last few weeks. But, gigs aside, it is his studio works that continue to grab our attention and this latest creation of his is no exception, Chris stating of Valentine’s, “…it’s that time of year again, some of you dread it, some of us loathe it, but this year I am celebrating it…” he explaining of his mix “…14 track disco-ish tracks that, if you’re alone this Valentine’s, will hopefully make you dance the commercialness of the day away…” and very much has disco credentials, making it another love dedication with a difference. Kicking off with “Stars On 45”, you know that disco is in mind and with artists like Bini & Martini, Hott 22 & Crazibiza, you know that dance is the direction, Dr Kucho’s “Chase” & LRM’s “Lifered” two of our faves, although with plenty more to enjoy, go grab some amour Chris stylee by visiting http://soundcloud.com/djchrisbrogan/amour-disco.
Now to a track that is no stranger to our recent posts, in fact has been dominating airwaves of ours for quite a few months, yet over the last two/three weeks has also hit the dancefloors both here in London and during our trips to Paris, Brussels & Antwerp, alternative offerings a-plenty proving the track still has considerable legs, despite having been released quite a while ago. And with a title of “Stereo Love”, plus having played such an important part in our recent tour into Europe, we couldn’t resist including it here, Edward Maya & Vika Jigulina’s tremendous track having been given a number of remix treatments in it time, but the Molella re-work, available to listen to at http://youtube.com/watch?v=fBef1eVkacs, without doubt our favourite and one that ascended to the top of our 2010 chart. Mind you, the beefed up dance version is also worth a listen, while not having quite have the loving feeling of the former, is equally appealing to the ears and holds nearly as many memories of the Beyond dancefloor, especially as it is the opening track on Mr Beyond, Steve Pitron’s compilation “Ibiza Oening Fiestas 2010 Early Check-In” which you can still grab by going to http://stevepitronsessions.podomatic.com.
Talking of compilations, our next choice has love running right through its entirety and is full to the brim with love songs that give it probably the best credentials for a Valentine’s dedication here. Compiled just in advance of his own weekend of love in Venice (how romantic), in just four days, D.J. Leomeo’s “Love Story” has amassed well over a ton of downloads and five times the amount of plays, pretty impressive given the usual lack of promotion and plugging from our Parisian pal. Full of some of the finest tunes to really inject that loving feeling into your minds, bodies & souls, this is Leomeo at his romantic best and is much more of a lounge music mix, rather than his usual tech & tribal offerings, the perfect backdrop to any love-in onValentine’s Day or any occasion where romance is in the air. To pick out one or two tracks from this 105 minutes of pure & unbridled love delectation would do the rest an injustice, rather we simply say that you should soak up the splendour of each of these sensual sounds by going to http://soundcloud.com/djleomeo/love-story right now.
The next love track in our short stable of Valentine’s devotions makes a sure-fire statement with its title and featured on the dancefloor just this last weekend, reminding us why, like “Stereo Love”, it made our top choices in rounding up 2010’s year of music. A production by one of Spain’s finest, David Penn, who has a discography that stretches back well over 15 years and includes giants such as “The Nighttrain”, “Sun Rising Up” & “From the Stars”, this latest offering is without doubt another fabulous favourite of ours. With vocals crafted & delightfully delivered by Sheylah Cuffy, Mr Penn’s terrific track, “Miracle Of Love” compiled with studio partner Peter Gelerblom, is not an a-typical love song, but with lyrics explaining love & falling in love so well, especially when you hear them clearly in the dub version of this amazing creation at http://youtube.com/watch?v=uCxLwS1gxMU, we had to include it here. Mind you, it was the more familar & danceworthy version that got us “Doing The Disco Matt” on Saturday, one which can be caught at http://youtube.com/watch?v=WDfEK1wo6fs and contains more of those love inspired & falling in love lyrics.
Now, departing slightly from Valentine’s Day for a minute, but with love still in mind, in this instance, “Lovechild”, there are a couple of compilations and one track which we wanted to give a quick mention, first the two compilations by the German duo that took guest slots at Lovechild’s “The Birthday” event on Saturday, Chris Bekker & Eduardo De la Torre, both producing mixes that are worthy additions to your collection, available at the following links, http://chrisbekker.com & http://soundcloud.com/dj-edu-de-la-torre/lovechild-the-second-birthday. As for the track, well it is not quite about love, but more about “Lovechild”, that being the title, yet having seen vocalist Kaysee perform it live for the very first time on Saturday and the full version release imminent, we had to include the only currently available link, at http://soundcloud.com/djtonyenglish/tony-english-feat-kaysee from its producer Tony English here, this 2 minute version give you a flavour of just how great the track is.
Right, to our final Valentine’s Day devoted compilation, one from a D.J. talent that we have been pushing for a while now and who has made a few notable appearances, not least at audacious afterhours outings A:M & Gravity at Fire in Vauxhall, as well as Monday nighter Popcorn at Heaven, in addition to a couple of appearances behind the decks at Soho splendour Rupert Street. With a catalogue of compilations that has stretched into double figures in as many months, Norbert M’s latest addition has love very much in mind, the man explaining of it as “…a Valentine’s medley filled with vocal, funky and progressive house with a touch of love…” and interestingly includes David Penn in the list of artists, along with other hard hitting names in the dance music scene, including K-Klass & Sam Obernik. Aptly titled “The House Of Love”, this is as much a house music devotion as that to love, strands of the latter coming through of you search for them, yet is a composition worth collection, which you can do by going to http://norbertmik.podomatic.com/.
So to our last track and one that takes us pretty much full circle, as it comes from that Hed Kandi album we mentioned earlier and one that we can’t put down, well disc one at least, the Disco Heaven Mix. However, simply from the title of the track, you would never deduce that it has anything to do with Valentine’s Day, or with love, yet when you listen to the lyrics, it becomes clear that it has both very much within it, well we think so anyway. Funkstar De Luxe’s “When I Think Of You” definitely has a distinct house music feel on Hed Kandi’s album, although in full version form at http://youtube.com/watch?v=nPJVFqxZT0c, it seems to have a more dreamy & love feel to it and, as we did on Valentine’s Day this year, we dedicate it here to those of you who, like us, may have just memories of loves lost, but also to those of you that are truly, madly & deeply in love.
Right, so we finish with a compilation and one not dedicated to Valentine’s Day or to love at all really, rather more to lust we suspect, although in dissecting his description of the mix, Brent Nicholls gives a nod to the sensual, so maybe there’s a link there, as tenuous as it may be. No, in actual fact there is no denying that rather than love, the message is more of lust and of sex, as “Music For Pimps, Hookers & Gogo’s”, in its very title invokes those thoughts of lust & sex and as Brent explains “…is kind of Hard On! meets Nu-Funk…” yet again indicating that finding & falling into love is not the deal here, rather he adding that “…the idea was to create a set of sexy tracks with ass pounding beats wrapped in an unusual & risqué title…”. So, at the risk of being risqué ourselves for including it on this Valentine’s special post, why not go check it out at http://djbrentnicholls.com/web/2011/02/03/podcast-music-for-pimps-hookers-gogos/ and see what is shaking Brent’s musical world right now, a fair few of his sex fuelled selections also rocking ours.
So, that’s our somewhat alternative musical look at love & Valentine’s Day, some of our selections stretching the imagination a little, yet, with the possible exception of our final pick, have a connection with love, either in the lyrics, the title or the intent. And with music being our undeniable passion and Valentine ’s Day & love having passion central to their theme, we hope, like us, you “Love To Love The Music” and dig our choices here, as even of this day of love, “Music Is The Answer” . (DISCO MATT)
Continuing what is fast becoming the norm for us now, we step into another “Preview The Review”, this time taking our fresh felt & bite sized look at Lovechild, which celebrated its 2nd birthday last night (Sat 12th Feb) at Fire in Vauxhall.
With club brand birthday bashes appearing with monotonous regularity, Lovechild’s 2nd had a much more distinctly exciting prospect about it, not least as Valentine’s weekend love was definitely in the air, Fire in Vauxhall playing host across three rooms of fun. A rapidly filling main room saw a sparkling opening set from D.J. Savin, a mix of tech house & uplifting beats hitting a high with “Release Me”, then Tony English set the standard with a brilliant opener, Rebeka Brown’s “Offshore”, following it up with some scorching selections, although the new styled ambient come progressive lounge, looked after by Tony Bruno & Gabriele Cutrano, received a more muted reaction. With lighting &
pyrotechnic effects a-plenty, plus the injection of the drop dead gorgeous Delice Boys on the podiums, the main room was a hard act to follow, but Brent Nicholls took up the mantle in the Mirrorarch brilliantly, with a prolific performance that saw the space packed for the whole of his scintillating set, a string of successive octane fuelled house hits finding favour, heavenly highlights being “The Miracle Of Love”, “Trapped” & our new Doing The Disco Matt track “Now Or Never”, sending us into a spinning frenzy. With the infamous contact room seeing plenty of audacious action, the amazing atmosphere added to by special Berlin boy guest D.J.’s Chris Bekker & Eduardo De La Torre, as well as PA Kaysee, who treated us to her latest smash hit “Lovechild”, this was a birthday celebration complete. However, we have seen Lovechild’s of old busier, perhaps an indication of how tough Saturdays have become in the capital and the piecing sound in the main room resigned us to an earlier than expected bath, although with so much more to lament on, “…its ready steady go for the review…” (DISCO MATT)























