Reports – “Winds Of Clubbing Change” – DM’s Seventh Day Sermon – Sunday 24th February

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With new & renewed life about to be injected into a sagging London scene, we reflect on what used to be brilliant, but what then went badly wrong as competition crushing & monstrous monopolies mobbed, while with the winds of change about to blow, we also look at what is to come in restoring & rejuvenating both the diversity and inclusivity that made this capital’s clubbing circuit the most captivating across all the five continents 

 

 

We have always said that six months in clubland always seems to be a long time, why?, well because so much seems to happen, to change, to shift, that even this relatively short time in our lives, six months can feel like a lifetime in terms of sheer activity. Yet while our continental cousins seem to take it in their stride, the pace seemingly a lot slower and the schedule more measured, here in London, just like the city itself, the clubbing circuit, particularly in recent times, always feels to be on a knife edge. However, it wasn’t always that way, as in our early years circulating the scene, there seemed to be much more harmony, clubs & events, possibly purely by fluke, seemingly dovetailing into each other, never really treading on toes, but playing their part in a richly diverse yet inclusive scene that gained London’s reputation as being one of the most captivating for clubbers anywhere on the planet. Unfortunately, in more recent times, we have found an unwanted evil creeping in, the desire to dominate and in so doing, not only crush the competition, but bully others into submission, on the surface spurning some truly spectacular & prolific parties, but under the veneer, delivering a devious intent to take charge of the circuit centre ground, pushing a whole host of promoters & parties to the edge of existence. But with the winds of change about to blow across the capitals clubbing circuit, the resurrection of what made London’s scene so strong, it diversity yet inclusivity, looks like being the most cataclysmic change we have seen in a long time, creating an more even playing field for all those that want to play their part, the evil of domination & competition crushing banished from the equation.

 

 

But before we touch on those changes and the club at the centre of this marvellous movement, let’s take a nostalgic look back at what was so good about the scene a fair few years ago and then what went desperately wrong, our trip down memory lane taking us back to the mid 1990’s when the scene was alive with a whole host of clubs, all playing their part on the most dynamic and diverse scene in the world. And what a world it was, as we had some truly amazing club nights to savour, many that have become legendary, the likes of Fiction on Friday nights, Love Muscle on Saturday’s, Trade on Sunday morning’s, Sherbert then Salvation or Factor 25 on Sunday afternoon/evenings and FF, DTPM & Warriors on Sunday nights. But there was so much more, as it seemed so many more people were out to party, Subsation’s Soho & South, the latter sporting Queer Nation & the very early days of Hard On! (then called FIST), we had the colossal collaborations that was Famous Five, while Heaven was still massive, and  London Gay Pride was a festival to be proud of, as was the superb Summer Rites, all evidence of clubs & club promoters coming together to deliver that diversity yet inclusivity that clubbers tuned into by the 1000’s. Plus, while there were rich pickings to be had, it seemed that clubs & events took the place in the scene schedule, never really pitting their wits against each other, rather attracting their followers and taking their small slice of the significant cake that was a truly captivating capital clubbing circuit. 

 

 

 

 

And it was still looking good and feeling great as the century turn arrived, Vauxhall now part of the picture, thanks in the main to a visionary who created the iconic come legendary Crash, this spurning  more club nights, including Action and the soon to be brilliant Beyond. That said, Vauxhall was already playing its part with the likes of The Market Tavern, The RVT & others, while it was on the verge of being pivotal in a change that would see that evil competition crushing and domination creep in, the success of Crash in outing the south of the river spot on the clubbing map, itself inadvertently  fuelling the greed of a certain group, whose original intent with brands such as A:M & Orange, was simply to play its part in the prolific diverse playing field that was still a fabulous feature. But as the noughites progressed and international players began to look to London, the likes of La Troya & particularly Matinee, there began an undercurrent of deviousness that would end up even putting national party politics to shame, the halcyon days when club nights such as Horizon & Juicy simply played their part, soon pitching their parties in direct competition in incoming new nights. Indeed as the now recognised Orange Group organisation empire began to expand, it became clear that its intentions were not to play a part in the rich diversity yet inclusivity of the scene, but to dominate and to take more than just a slice or two, but the whole clubbing circuit cake.

 

 

Now we entered a period where promoter fighting & club confrontations become a norm, very much driven by The Orange Group’s desire to dominate, Crash pushed out of the Vauxhall picture, even its promoter ties with the still brilliant Beyond severed, his attempts to offer alternatives in a brand new venue, Area, also crushed. But he wasn’t the only one, as Matinee’s attempts to play its monthly part were scuppered, again it being a victim of what we call party pitching, so running a popular event up against another, this disturbing direction also rubbing off on other promoters, who themselves began to fight & battle each other, the SuperMartXe story one such example, while we were gratified that experienced promoter players with level heads sought to stay out of these sordid squabbles. But this evil element was to exacerbate itself to an enth degree, as a long list of individuals were drawn into The Orange Group empire, then spat out as soon as their perceived shelf life had expired or, in some cases, where they dared to promote parties that had the tiniest risk of toppling the domination that this greedy group desired. And while, as with our last sermon on this subject, we feel it would serve no good to mention names (there are many), clubs that have fallen prey include Crash, Matinee, SuperMartXe, & Lovechild, all big Saturday players, their fall from grace leaving us with little, well apart from WE, the ins & outs of how it, with the aid of The Orange Group, pushed SuperMartXe out of The Coronet, quite shocking.

 

 

We could go on and we could name case after case, promoter after promoter and club after club that has been either pushed out of the clubbing picture or even out of business by this greed and domination, the last twelve months bearing the rotten fruits of this greedy labour, leaving us with a lacklustre London scene that is not a patch on what it was back into those halcyon days. Yes there have been some success stories from within, Onyx, As One & Deelooded three, while now veteran outing Beyond has continued to ride high in the eyes of clubbers. Plus, what this domination has also done, is allow others to re-group, take stock and, in some cases, head off to do their own thing, a perfect example being Shoreditch and the players within it, who have created an environment that harps back to those happy days of the 90’s. But more importantly, what this greed has also created, is a marvellous movement, a powerful & influential one at that, which is seeking to restore the scene to that wonderfully diverse yet inclusive picture & playing field that we have mentioned many times, the individuals behind this wind of clubbing change, passionate about D.J.’s, promoters, players and you the clubber, in engendering the kind of scene where people work and come together, rather than fight or squabble. And it is the new(ish) gem in what was perceived as being part of the Orange Nation crown, that is driving this change, this tight knit team, after bringing the venue back under their control, now beginning to reach out to a number of promoters, to D.J.’s & other scene figureheads right across London, all who seem to want to play their part in the restoration of a London scene that, as a result of this greedy domineering period, is on its knees, the aims & aspirations of these change driving force individuals being to treat people fairly, pay them properly, reward their efforts, create an environment exempt from fear & bullying, but most importantly, restore a scene that makes Londoners proud, where they have choice, they have diversity, yet everyone feels they are included.

 

So, we have already hinted who is driving this wind of clubbing change, a change we are so pleased to be a part of too, we, ahead of our special feature, “Championing Clubbing Change”, raising our glass to the characters in what could quite possibly be a chain of cataclysmic changes, the like the capital has never seen before. (DISCO MATT)

 


About discomatt

The History........................................................Created in 2008 after a short period of blogging under his real name, the pseudonym, “Disco Matt”, was born on the back of a reputation for being London’s original party boy having partied and clubbed across the London gay scene since in mid 1990’s.........................................................Through his series of blogs via individual blogging pages which soon morphed into a full blown website (http://discomatt.com), Disco Matt established himself as an independent journalist come columnist who quickly gained a reputation for supporting & promoting one of the world’s most prolific clubbing scenes. He previewed, reviewed & recommended London gay clubs, as well as the diverse gay/metrosexual London club/bar culture, linking to & reviewing the scene top D.J.’s and generally covering the gay scene including international gay events....................................................Regularly reporting on the top events across the scene, Disco Matt’s reviews, over the years, developed a strong following, not just by clubbers, D.J’s, promoters, music producers & scene faces, but people far and wide that were looking for an insight to the incredible scene that was London. He also previewed upcoming events that signalled, either a major change or update of existing clubs, new ventures on the gAylist/metrosexual scene, or where he considered events that deserved more comprehensive coverage to that provided in other posts.............................................However, having pretty much reached the top of his game in his chosen specific field, due to a number of personal predicaments, challenges & changes in his life priorities, Disco Matt parked his writing and operation in February 2014. While the burning desire to continue remained, what this much needed period of inactivity did provide was the time & space to re-think & re-focus his activities on a broader spectrum of media and entertainment............................................................So, following this long two year lay-off, he built up the foundations for this diversification into the areas of film, theatre, radio & television where his reviewing, recommending & reporting was to be replicated & resurrected, also pointing his promotions through more visuals & video's linked to all these areas along with his core activities and passions ................................................................................The Present....................................After another (shorter) period of lay-off from mid 2016, a life changing event reignited his passion and early into 2017, Disco Matt has delivered on his promise for a new, more modern look to his website, shedding the old & tired skin in favour of something far more in keeping with the times and with his blogging roots. And he has waived a fond farewell to his clubbing days, this having also been ditched from his site & activity, rather now just focussing on the genres of film, theatre, radio, television, video and of course, music, in so doing, aiming to broaden his appeal to a much wider audience interested in the latest most cutting edge areas of media & entertainment.............................................................................His aim is to be highly regarded across the industry for his writing in these fields and ultimately become a full time critic in film &/or theatre.