Reports – “Selling Short For Paltry Pay” – Seventh Day Sermon – Sunday 10th March

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With the capitals clubbing circuit on the cusp of some truly positive & exciting changes, we extend our Seventh Day Sermon series into still further controversial territory, speaking out on an issue close to our heart, the injustice meated out to many D.J.’s on the capitals clubbing through paltry pay while some continental compatriots are equally selling themselves short as the chase their next gig.

 

 

 

It is no secret of surprise that we are hugely passionate about many things connected with the clubbing scene, not just here in the capital but across in the continent too, our website activity evidence of the selfless support we spread among a wide range of clubs, events & music producers, while if we were to hang our hat on a particular passion it would be for the D.J.’s and the magnificent music they deliver in making the clubs & events they play for & at, the successes they are. Indeed, while each & every person connected with a club is important enough in that success, in our humble yet qualified opinion, one spanning close of twenty years treading the dancefloor boards of our beloved South Africa, here in London and across in Europe, it is the D.J. that is the most intrinsic part of that  success, as without their music, no amount of organising, lighting, effects, production & promotion would either equal or exceed the undeniable importance of the D.J. in the role of a successful club or event. And while we acknowledge that music is and has not been the major driver for some in the clubbing fraternity, without it is akin to bread without butter, a car without wheels and a house without walls, such is the marriage between music & clubbing, along of course with the D.J’s that deliver it.  

 

 

Yet despite this unquestionable importance that D.J.’s play in proceedings, it seems that London in general, but certain promoters in particular, simply do not recognise this through the dosh they dole out to D.J.’s, the rates of pay hardly having changed for over a decade, some naturally commanding higher rates than others, but those rates nowhere near the level of the capitals continental cousins. Indeed, with the knowledge that there are international D.J.’s/Producers that won’t even get out of bed for less than over twice (sometimes three times) the rates earned by our London based brethren while our lot have to accept paltry pay for the prominent part the play in the soaring success of parties, especially those packed out to the rafters, examples here being Matinee, WE & Beyond, it seems the worth of the wealth of the teaming talent we enjoy in London, is being vastly undervalued. Furthermore, it seems that club owners & producers across in Europe and further afield have a totally different psyche to their capitals cousins, they sharing our philosophy that D.J.’s are the cornerstone of clubs & events, so rewarding them accordingly, sharing the spoils of success with the spinners that actually make their brands & bashes tick. That said, there are exceptions to this rule on both sides of the channel & on both sides of the scale, without mentioning names, an established international dance troupe club promotions team falling woefully short in the pay stakes compared with their compatriots, while here in London there is a new clubbing movement & collective that recognise the intrinsic & important part that D.J.’s play and have already gone on record as saying they will & have shared the profits of their parties much more fairly & evenly with the D.J.’s on the rosters.

 

 

 

However, the paltry pay story also extends to certain D.J.’s themselves, many who have been sucked into selling themselves short in search of the next gig or exposure to the scene, this a particular feature across in Europe which is in complete contrast to the philosophy of the majority of promoters. But what this band of what we can only describe as desperate D.J.’s are so much so, that they would travel hundred’s, sometimes thousands of miles simply to get that much sort after exposure, hardly making any money (sometimes losing out) from the deal, equally unethical promoters rubbing their hands in delight that they have landed a D.J. for a cut price package of pay. And the inevitable comparisons with London are often made and even used as an excuse, this practice undermining both the value & attractiveness of experienced players & producers across the international circuit, many simply having to dig their heels in & stand by their pay principles, even if it means losing a gig, a tour or a festival as a result.

 

 

 

So, it seems, in certain circles at least, we have entered a vicious circle, where D.J.’s rates of pay vary considerably, where a handful of promoters practices, not least one of the largest clubbing groups right here in the capital, leave a lot to be desired, begging the inevitable questions of how can this be stopped and where will it end, the door of blame routed right here in London but one that seems to be spreading across the continent too.   So, we reckon it’s time for those promoters responsible and reading this, to wake up to their responsibilities towards the bread & butter of their brands, clubs, events & parties, the D.J., to follow the lead of a certain capital clubbing & start rewarding them more fairly & proportionately through more respectful pay, while those D.J.’s that are forcing the rates of others down by their insatiable gig chasing desires, need to take heed and then account for their actions to save being outed, as we could so easily do. Why?, because  we feel so strongly and passionately towards a long list of D.J.’s both here in London & internationally that richly deserve the reward for the enthralling entertainment they employ, but, at the hands of these handful of incredulous individuals are being sold short for paltry pay. (DISCO MATT)

 


About discomatt

The History........................................................Created in 2008 after a short period of blogging under his real name, the pseudonym, “Disco Matt”, was born on the back of a reputation for being London’s original party boy having partied and clubbed across the London gay scene since in mid 1990’s.........................................................Through his series of blogs via individual blogging pages which soon morphed into a full blown website (http://discomatt.com), Disco Matt established himself as an independent journalist come columnist who quickly gained a reputation for supporting & promoting one of the world’s most prolific clubbing scenes. He previewed, reviewed & recommended London gay clubs, as well as the diverse gay/metrosexual London club/bar culture, linking to & reviewing the scene top D.J.’s and generally covering the gay scene including international gay events....................................................Regularly reporting on the top events across the scene, Disco Matt’s reviews, over the years, developed a strong following, not just by clubbers, D.J’s, promoters, music producers & scene faces, but people far and wide that were looking for an insight to the incredible scene that was London. He also previewed upcoming events that signalled, either a major change or update of existing clubs, new ventures on the gAylist/metrosexual scene, or where he considered events that deserved more comprehensive coverage to that provided in other posts.............................................However, having pretty much reached the top of his game in his chosen specific field, due to a number of personal predicaments, challenges & changes in his life priorities, Disco Matt parked his writing and operation in February 2014. While the burning desire to continue remained, what this much needed period of inactivity did provide was the time & space to re-think & re-focus his activities on a broader spectrum of media and entertainment............................................................So, following this long two year lay-off, he built up the foundations for this diversification into the areas of film, theatre, radio & television where his reviewing, recommending & reporting was to be replicated & resurrected, also pointing his promotions through more visuals & video's linked to all these areas along with his core activities and passions ................................................................................The Present....................................After another (shorter) period of lay-off from mid 2016, a life changing event reignited his passion and early into 2017, Disco Matt has delivered on his promise for a new, more modern look to his website, shedding the old & tired skin in favour of something far more in keeping with the times and with his blogging roots. And he has waived a fond farewell to his clubbing days, this having also been ditched from his site & activity, rather now just focussing on the genres of film, theatre, radio, television, video and of course, music, in so doing, aiming to broaden his appeal to a much wider audience interested in the latest most cutting edge areas of media & entertainment.............................................................................His aim is to be highly regarded across the industry for his writing in these fields and ultimately become a full time critic in film &/or theatre.