Reports/Reviews – “Not Another One!!” – Beyond “Midnight” – Saturday 23rd February – Special Reflective Report

      Comments Off on Reports/Reviews – “Not Another One!!” – Beyond “Midnight” – Saturday 23rd February – Special Reflective Report

What was a brilliant brand and a fabulous favourite of ours, is fast losing both is brilliance and its favour with the twelve hour “Midnight” mould breaker that is effectively laying this colossal club to a first four waste, we once again, yet for the last time, looking at why & how Beyond is being broken when it needs no fixing.

 

 

Of the myriad of meets, the catalogue of clubs and the bounty of brands we have come across in the close on twenty years we have been circulating the clubbing scene, not just here in the capital but across in continental Europe, as well as back home in South Africa, there are of these meets, clubs & brands, a figure that must run into the thousands, just a handful or two that we would class as truly legendary in our clubbing lifetimes. Back home it would have to be Cape Town’s Bronx, while in Europe, Muccassassina in Rome, Red & Blue in Antwerp, La Demence in Brussels & Salvation in Barcelona top our legendary continental tree. And while there are clubs further afield as yet untouched by our visiting hand, we look to the capital for a the rest, Factor 25, DTPM, Action, Fiction & FF, while of all these, there are two that sit above even this pronounced party parapet, both Sunday morning afterhours and both accounting for a seventh day of the week wondrous loss to the normality of straight minded Sunday life, each contributing to a run lasting from 1993 to 2012, with just a year or so break in 2006/7. Naturally, Trade is one of the two, Lawrence Malice’s legendary creation without doubt at its brilliant best in the Turnmills era which stretched from 1990 to 2003, while the other, one that wrestled the magnificent mantle for our mothership of clubbing as THE best club of all-time can only be Beyond, it dominating the 21st century like no other club, yet close on twelve years after its inception, is in serious danger of losing its title back to Trade.

 

 

So why this falling in favour and what is causing the brand breakage? Well, to answer those questions with qualification, we need to look back to Beyond, two, three or even four years ago, when having risen like a phoenix from the ashes of the split with former host venue, the  Collosseum as well as on the back of a fall out between the then joint promoters. Finding its feet within weeks of securing its new home, the amazing Area, Beyond very much entered its most prolific purple patch period to date, a run of events spanning 2008 through 2010 securing it as not just the most popular outing on the capitals clubbing circuit, but gained a reputation overseas, even though it had yet to play out in continental Europe and further afield. And during this period, the format of Beyond hardly changed, a solid residency of stars ensuring its popularity never waned or the need to change was not an issue. Indeed, with Steve Pitron, Mkey D & Alan K masterminding the main room and David Jimenez, Hifi Sean & Paul Christian sorting the sounds in the second space, Beyond was very much at its brilliant best. However, the real magic for us was in the terrace room, where the delightfully debaucherous & decadent feel of clubbing on a Sunday morning played out the most, The Sharp Boys, The Oli, Jamie Head & Fat Tony often outstaying even the main room revellers right up to the midday finish, while that main room lighting the exceptional effects, the trademark ceiling rockets and scores of sterling sets from Mikey, Alan &, particularly an always precision perfect Mr Pitron, earned Beyond its all-time best club status.

 

 

Yet, despite all this, the then new promoter, Jonny Marsh, decided in 2010 that Beyond was destined for bigger and better times, not just in London but overseas, his aims to share the brilliance of the brand not just in other capital cities of the world, but in festivals & tours, this programme marking measured successes in Paris & Mykonos, although not that much more, The Week in Brazil playing host just once, Beyond showing its singular hand at Sydney Mardi Gras, while the La Demence cruise and the XLsior festival will go down as Beyond’s best international expeditions. However, back in London, the virtual constant tampering with the format, swapping and changing the D.J.’s at the drop of a hat, the continual desire to throw special events and the theory that by changing & shifting the show around would keep it fresh, actually put many of its earlier years fervent followers off, while this went virtually unnoticed by the promoter and his team, as for every regular they lost, another transient party goer would replace, meaning the bottom line figures didn’t look much different, but that whole fabulous feel & marvellous magic that had been Beyond, was slipping & sliding significantly. But, with Steven Sharp steering a stormy ship into calmer waters, Beyond, for a while at least, regained some of that magic it had lost, although with knee jerk axing & changing of promoters becoming the norm across the group, like Later & A:M, Beyond was an inevitable victim, a situation that has existed now for the last two years.

 

 

So that brings us pretty much up to date, although in 2012, while we continued to support our then most favourite frolic of all, our stays were merely extended to Steve Pitron set performances (which will always remain special for lots of reasons) and not much more, the charge laid at our door that it was only his house music we were interested in, but the true fact being that Beyond was not a patch of the party that it was in the years before. Indeed, another element in this equation was the decimation of the scene Saturday schedule , much of which lays at the doors of Orange Nation, meaning there was little to feed our desire to party before Beyond, even the protagonists of this sad Saturday story not replacing their crushed competition with ample or sufficient alternatives. And that brings us neatly to this “Midnight” format, one that was originally devised, like “Super Size” & “Ice”, as simply specialist & one-off events to satisfy increased clubber demand that bank holidays & the like dictated. However, more deviously, this “Midnight” format was also used as a weapon against brands such as Matinee & SuperMartXe, that competition crushing attempt to pitch this afterhours party right into the thick of the Saturday schedule, a place were Beyond in our view, simply doesn’t belong. But with no competition left and no real big parties remaining, excepting WE, Beyond is now simply being used to fill that very gap its timings switching & fixing created, 2013 already proving that as in the last eight weeks, there have been no less than five “Midnight” events, all the current promoter being able to say on the subject is “…we like to let people party for longer…”, a weak response to our critiscm of how this format is being used & abused, if ever there was one.

 

 

What we simply cannot understand with the current use of the “Midnight” muddle, is that rarely is the chapel space open before 3 a.m., while a wait till six or even seven is required before the main room swings into action, leaving just the terrace space which, in the hands of one Anna Iwinska, is tortuous tech house terror that wouldn’t be out of place in Berlin’s Berghain, while this week’s zero o’clock start sees an absolute unknown, Daniel Braggins, kick off this once spectacular show. But the favour faltering & all-time status sinking story of Beyond doesn’t rest just at the door of the now maligned “Midnight” format, but the whole atmosphere & feel of the club, the staff nowhere near as friendly as before, the security imposing & sometimes acutely invasive, while the promoter, who we would expect not only to take charge, show himself throughout and generally be the face of the club, is rarely seen after 8 a.m. And while some order has been restored with the once steady resident star line-up’s, we cannot help but feel (without mentioning names) that square pegs are being pushed into round holes, just one example being that certain D.J.’s can be seen playing in all three rooms, whereas each space always did and should have their own distinct sound, these individual’s styles actually no different from one room to the next. However if we are to believe the bullish banter of the clubs promoter when he say’s “…I’m loving the atmosphere at Beyond this year so let’s all raise the roof, take it to the next level and keep it at the top of its game…” those very words a contradiction in terms, as if Beyond really still is at the top of its game, where is that next level? Plus, while he adds of Beyond, “…not just London’s but the world’s best afterhours…” we are seriously casting doubts as to whether it can still rooftop shout that status.

 

So, with NYD looking like it was our last Beyond and with the winds of clubbing change about to sweep the scene, thus putting this once awesome afterhours amazement’s home in a pronounced & precarious position, we not only fear for Beyond’s future, but reckon that soon Trade will recapture that title as our top club of all-time it lost back in 2001/2, leaving us to simply lament on the magical memories Beyond brought us, both in those halcyon Colloseum days and that purple patch Area period. (DISCO MATT)

 


About discomatt

The History........................................................Created in 2008 after a short period of blogging under his real name, the pseudonym, “Disco Matt”, was born on the back of a reputation for being London’s original party boy having partied and clubbed across the London gay scene since in mid 1990’s.........................................................Through his series of blogs via individual blogging pages which soon morphed into a full blown website (http://discomatt.com), Disco Matt established himself as an independent journalist come columnist who quickly gained a reputation for supporting & promoting one of the world’s most prolific clubbing scenes. He previewed, reviewed & recommended London gay clubs, as well as the diverse gay/metrosexual London club/bar culture, linking to & reviewing the scene top D.J.’s and generally covering the gay scene including international gay events....................................................Regularly reporting on the top events across the scene, Disco Matt’s reviews, over the years, developed a strong following, not just by clubbers, D.J’s, promoters, music producers & scene faces, but people far and wide that were looking for an insight to the incredible scene that was London. He also previewed upcoming events that signalled, either a major change or update of existing clubs, new ventures on the gAylist/metrosexual scene, or where he considered events that deserved more comprehensive coverage to that provided in other posts.............................................However, having pretty much reached the top of his game in his chosen specific field, due to a number of personal predicaments, challenges & changes in his life priorities, Disco Matt parked his writing and operation in February 2014. While the burning desire to continue remained, what this much needed period of inactivity did provide was the time & space to re-think & re-focus his activities on a broader spectrum of media and entertainment............................................................So, following this long two year lay-off, he built up the foundations for this diversification into the areas of film, theatre, radio & television where his reviewing, recommending & reporting was to be replicated & resurrected, also pointing his promotions through more visuals & video's linked to all these areas along with his core activities and passions ................................................................................The Present....................................After another (shorter) period of lay-off from mid 2016, a life changing event reignited his passion and early into 2017, Disco Matt has delivered on his promise for a new, more modern look to his website, shedding the old & tired skin in favour of something far more in keeping with the times and with his blogging roots. And he has waived a fond farewell to his clubbing days, this having also been ditched from his site & activity, rather now just focussing on the genres of film, theatre, radio, television, video and of course, music, in so doing, aiming to broaden his appeal to a much wider audience interested in the latest most cutting edge areas of media & entertainment.............................................................................His aim is to be highly regarded across the industry for his writing in these fields and ultimately become a full time critic in film &/or theatre.