Picks/Music – “Delicate Drops Of Destruction” – Steve Pitron “Summer 2012 Part 1” Podcast – Friday 20th July – Podcast Of The Week/Special Focus (Part One)

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We waited, waited & waited, but the wait was well worth it as the much awaited new Steve Pitron podcast production has simply blown us away, so much so that his “Summer 2012 Part 1” mix simply had to make it to DM’s prestigious Podcast Of The Week position, download/stream options an image click below, while we delve into those delicate drops of destruction delivered by this captivating composition & its creator, beneath.

 

 

For the many years that we have been cavorting around clubland, we have been very fortunate to not only bump into but be-friend a whole host of D.J.’s both here in London & across the globe, the music that they play & produce undoubtedly our single most passion of any in our world, while amidst the scores of names we could roll-call, there is one that for all of that time, but particularly in the last small handful of years, has tipped our scales perhaps more than any other. Indeed in the tough months of 2012 so far, it has been this individual that has drawn us out onto the scene where others have failed, his music the magnet that also drives the energy & enthusiasm we have for stepping out on the scene, not to mention powering our pedals during our daytime working week. And focussing just on 2012 but looking back to the first month of the year, it was his podcast release that not only captured the imagination of 10’s of thousands of ardent fans, but has pretty much ruled that pedal pushing periods of our working week ever since, a twenty four track triumph that we have not yet (and probably never will) tire of, while previous podcasts of his rule populate our playlists like no other music producer we know.

 

We are, of course, talking about Steve Pitron, a D.J. & producer of music that has been at the top of his & the capital’s clubbing circuit game for more years than we wish to mention, such has been the lasting appeal of his sound & style. Indeed while others of his generation have very much fell by the wayside, Mr Pitron continues to plough a prolific path, often headlining some of the biggest brands & parties on the scene, Beyond, Matinee, WE, SuperMartXe, & Orange just some. But it doesn’t stop there, as while his music productions with studio partner Max Sanna (of which there are many) often get overlooked by the casual clubber, their provenance are such that they regularly receive airplay from a host of national & international radio stations, as well as reaching out to revellers on dancefloors across the world. However, while there is no substitute for savouring a live Steve Pitron performance, his podcasts do carry considerable clout among the clubbing community, as well as dance music discerners, which means that when a new recording is released, it is big news indeed, even if he has been keeping us waiting for longer than we would have liked, perhaps a Pitron ploy that in the case of “Summer 2012” has worked like a dream.

 

So it’s here, that much awaited new Pitron podcast, or should we say “podcasts” as Steve has decided to treat us (like he did last year) to two compilations under the “Summer” title, although unlike the two 2011 releases, part’s 1 & 2 this year are likely to be much more closely tied together in both style & substance, as well as being much closer to the feel of a live Pitron performance. But while we wait for the second instalment with immense interest, Steve has already stolen his own previous podcast show with Vol. 1, very much taking us on a jovial journey through a spectrum of Steve style of sounds that make this first part stand-out from the first of his 2012 productions, kicking off with the familiar vocal track “Such A Good Feeling” which is given a funky twist & update by Crazibiza, remix artists that feature in many of Mr Pitron’s podcasts, the next two tracks straying from traditional territory that, on first listen, had us scratching our heads a little, but as we reach the fifteenth play, fit the journey pattern like a glove. But in the spectacular “Heat Of The Night” which bowled us over when we heard it first at Beyond, Steve certainly drops the first delicate dose of destruction, this already having become one of those coveted Pitron/DM anthems that always gets our trademark tearful emotional eruptions of euphoria when we hear it. So, having firmly planted the heavenly house music hook into us, Steve quickly reels us in like a trapped fish on a line with first Flaxen Beats & then Avicii, although we try to wriggle out of his grasp with another duo of uncharacteristic Steve selections, these nevertheless confirming that he is cleverly steering us on that genre journey that has become amazingly addictive.

 

As this creative compilation hits the half way mark with the superb “Sky”, erupting our emotions in the same way that “Take Me Higher” did/does on his Jan 2012 release, Steve has certainly selected seventh sound gear, entering the realms of his live performances with precise pronunciation, another classic re-work choice, this time “That Feeling” leading us willingly into more dollops of destruction as the truly towering “Somebody I Used To Know” hits us broadside with its brilliant beats, the destructive door slammed shut with no escape. And like we often get pinned on our spot at Beyond by plumes of Pitron perfection, the 2012 version of “Sundays At Heaven” confirms that any form of resistance is futile, we willingly sinking into successive scintillating selections that include tracks from two of our favourite artists of now, Nadi Ali & Etienne Osborne, both before we are completely consumed, head in hands at this house music heaven when Steve hits us with “Pump Up the Jam” into “My World”, his masterful mixing come blending, which is pitch perfect all the way through, spine chillingly good at this point. But “Summer 2012 Part 1” is not yet over, oh no, as those emotions erupt once more with the Velardi & Vitti re-work of The Lighthouse Family’s “Be Happy”, before Mr Pitron sends us packing with a fantastic finale in the form of Prok & Fitch’s stunning “Symphony” which delivers yet more delicate drops of destruction that leave us clammering for more.

 

So, it goes without saying that this Steve Pitron summer smash of a podcast should (if it hasn’t already) make it into your collection and one you can download by going to direct link http://stevepitronsessions.podomatic.com/entry/2012-07-14T08_25_40-07_00 where details on the full track listing is available & where we would encourage you to post your own comment of approval for what is most definitely one of Steve’s  finest podcast productions ever, thus setting the benchmark extremely high for part 2 to at least match or even better, which in the hands of the masterful Mr Pitron, has every chance of doing so. (DISCO MATT)

About discomatt

The History........................................................Created in 2008 after a short period of blogging under his real name, the pseudonym, “Disco Matt”, was born on the back of a reputation for being London’s original party boy having partied and clubbed across the London gay scene since in mid 1990’s.........................................................Through his series of blogs via individual blogging pages which soon morphed into a full blown website (http://discomatt.com), Disco Matt established himself as an independent journalist come columnist who quickly gained a reputation for supporting & promoting one of the world’s most prolific clubbing scenes. He previewed, reviewed & recommended London gay clubs, as well as the diverse gay/metrosexual London club/bar culture, linking to & reviewing the scene top D.J.’s and generally covering the gay scene including international gay events....................................................Regularly reporting on the top events across the scene, Disco Matt’s reviews, over the years, developed a strong following, not just by clubbers, D.J’s, promoters, music producers & scene faces, but people far and wide that were looking for an insight to the incredible scene that was London. He also previewed upcoming events that signalled, either a major change or update of existing clubs, new ventures on the gAylist/metrosexual scene, or where he considered events that deserved more comprehensive coverage to that provided in other posts.............................................However, having pretty much reached the top of his game in his chosen specific field, due to a number of personal predicaments, challenges & changes in his life priorities, Disco Matt parked his writing and operation in February 2014. While the burning desire to continue remained, what this much needed period of inactivity did provide was the time & space to re-think & re-focus his activities on a broader spectrum of media and entertainment............................................................So, following this long two year lay-off, he built up the foundations for this diversification into the areas of film, theatre, radio & television where his reviewing, recommending & reporting was to be replicated & resurrected, also pointing his promotions through more visuals & video's linked to all these areas along with his core activities and passions ................................................................................The Present....................................After another (shorter) period of lay-off from mid 2016, a life changing event reignited his passion and early into 2017, Disco Matt has delivered on his promise for a new, more modern look to his website, shedding the old & tired skin in favour of something far more in keeping with the times and with his blogging roots. And he has waived a fond farewell to his clubbing days, this having also been ditched from his site & activity, rather now just focussing on the genres of film, theatre, radio, television, video and of course, music, in so doing, aiming to broaden his appeal to a much wider audience interested in the latest most cutting edge areas of media & entertainment.............................................................................His aim is to be highly regarded across the industry for his writing in these fields and ultimately become a full time critic in film &/or theatre.