Archive for November 2010

Hey Folks,

Well, it seems that WE certainly looks set to dominate proceedings on the capitals clubbing scene this weekend, so it will come as no surprise that we have got in on the act, not only issuing a special preview, entitled “Welcoming Espania” which is out at direct link http://discomatt.com/web/2010/11/special-preview-welcoming-espania-we-party/ but also devoting a special music post to the event, our devotion called “Wonderful Ensemble” out at http://discomatt.com/web/2010/11/music-is-the-answer-wonderful-ensemble-we-party-special/ . But it doesn’t stop there, as a special Weekend Focus on the event, called “Well Excited” will detail everything you need to know about this enormous outing which takes place this Saturday at The Coronet in Elephant & Castle.

However, in the meantime, the WE place to be will be at Room Service tomorrow night (Wed 1st December), when this weekly talk of the town hosts the pre-party for the talk of the weekend. Now, since starting back in October, Room Service has quickly established itself as the hottest place to be & be seen on a Thursday, very much eclipsing other offerings around town, it being especially popular for those with an eye on work the following day, due to its reasonably sociable start at 10 p.m. And in the DIU club on Greek Street, it has a perfect host venue, not just due to locale (it’s virtually next to Green Carnation) but in the whole feel of the place, as the team behind Room Service say, “…think a sexy downtown New York vibe of a spot combined with a London boutique nightclub feel bang in the middle of the original gay district…” and they have pretty much hit the nail on the head. Having popped in just last Thursday, to raise a glass to Fat Tony on his birthday, we immediately fell in love with the charm of DIU, its atmosphere & modern sophistication mixed in with traditional furnishings, all combining to create the perfect place for the bijou yet beautiful week night following Room Service has attracted.

But for one week only, the team will be swinging open Room Service’s doors tomorrow night (Wednesday 1st Dec) to warm you up for WE this coming weekend, welcoming Steve Pitron to the decks, who will join Kris Di Angelis to serve up sounds to match the sophisticated surroundings, also showcasing a band of delicious dancers who have already flown into London, direct from WE’s base in Madrid, in advance of the weekend, each one performing on the special go-go box, while advance will definitely be one of the by-words, as reduced priced WE Party tickets will also be on sale, to make sure you don’t miss out on the main event at the Coronet on Saturday. And we are sure Steve will be parading some of the more uplifting beats like Tune In Tokyo’s “Dreamer”, Miguel Picasso’s “Show Me Your Love” & Chris Montana’s “Don’t Give Up”, although we hope he plays Peter Rauhofer’s “Rule The World” & John Dahlback’s “Back To The Dancefloor”, all of which you can sample via his latest WE podcast, available at http://stevepitronsessions.podomatic.com/ (oops we fell into music review mode for a minute).

Add to all that, hosts (or is that hostesses) Najib & La Peque N.A. of Disco Fag Bar fame, along with promotress extra-ordinaire Jody Harsh & there will be plenty of glamour to match the sophistication of this soiree in Soho, the very present & gorge David Hart ready to shoot you up with his photographic tool (check out his wonderful work at http://shootmeup.couk) under the low ceilings & laser lighting and this is one pre-party you won’t want to miss. So, forecast permitting the snow should have melted into thin air by the time Room Service starts tomorrow night at 10 p.m., the music also melting all thoughts of the inclement weather until the 3 p.m. finish, DUI being situated at 12-13 Greek Street in Soho. Further information can be found by visiting their group on Facebook, by emailing the team at roomserviceroomservice@gmail.com or you can follow their activity on Twitter, at http://twitter.com/clubroomservice. and as we always say, “Go There! Be There!

xDM

There is no doubt that WE parties have been the talk of Europe this summer, the brand, which was established by artistic creator & club promoter, Victor Pallas, just a year ago, has very much captured the imagination of Spaniards, Italians & Greeks, with scores of successful parties across Spain (including Madrid, Barcelona & Ibiza), in Rome at Muccassassina and in Mykonos at the famed Xlsior festival. But the WE word, not least through its music, is gaining worldwide reputation, especially given some of the talents the team are drawing in to play at parties both home & abroad, home of course being Madrid where it all started. However, with WE landing in London, we thought we would give you a flavour of what to expect from the music, as well as touching on the works either specially commissioned for the event or latest releases from D.J.’s that have graced the WE decks.

And probably the best way to kick off is by laying to rest, the rumour that, due to the line up at The Coronet in London this coming Saturday (4th Dec), the music will feel like an extract from Beyond, which, in lots of ways simply couldn’t be further from the truth. Now, we can kind of understand why certain elements would jump to this conclusion, especially when three Beyond residents will be playing out in main room, with a fourth in the VIP lounge. However, with two of those three main room stars having played for SuperMartXe and the third having Spain running through his veins, you can certainly expect a much more euro-style slant to each of their sets, although very much in the WE style of sound. So, what is that sound? well, plenty of latin flavoured beats, vocal infused tunes, but moreover a captivating combination of styles that reflect the diversity of talent that the team have attracted, maestro’s like Peter Rauhoffer, Pagano, Danny Verde, & Marco Da Silva, to add to the strong core team of residents that include Carlos Gallardo & Danny Le Black, these names alone, exuding the quality & depth of style that WE is becoming famous for..

So, that said, what can you expect from the line up at The Coronet on Saturday? Well, first & foremost, WE Party will be flying over their star resident D.J. Carlos Gallardo, who has been with the team since the beginning last October, having previously played for SuperMartXe, although, to be honest, his career is littered with appearances for most the top Spanish clubbing brands, including Amnesia, Space, & Cafe Ole. Born in Barcelona, where he established his reputation, Mr Gallardo’s discography is nearly as impressive as his career behind the decks, often combining forces with some of the country’s best vocalists, just this year having been credited with three massive hits, first the remix of “Don’t Let This Moment End” together with Rebeka Brown, and then tipping the charts with “Fantasy Girl” featuring Rob Harris (of The Free Radicals fame). However, he arrives in London on the back of the spectacular success of WE’s very own anthem, entitled (surprise surprise) We (Eloise), which is sure to feature large across the evening & in his set on the main floor, the vocals of Bobby Alexander making this track unmistakable. Now, if you haven’t heard it yet (where have you been?!), go check it out now at http://youtube.com/watch?v=GOnM2-Y0qMU  with a remix version by Victor Magan out at http://youtube.com/watch?v=RjDiLGfQ5uE, (although for us, you can’t beat the original) and be prepared to be captivated by Carlos at The Coronet.

However, balancing out the Spanish big hitting influence will be our very own Steve Pitron, who has been charming the crowds across the capitals clubbing scene for well over 10 years now, this list of events & club nights he has played in, very much reading like a who’s who, notable highlights being PSP, Crash, Juicy, Orange, SuperMartXe, and, not forgetting Beyond, Mr Pitron, like virtually no D.J. we know, having this amazing attraction & ability to lift any party. And whilst recent times have seen him very much being the darling of the main room at Area on a Sunday morning, delighting the packed out space with one amazing anthem after the next, the depth of Steve’s talents & his superb skill for pitching the music just right for the occasion, is no better displayed than through his latest compilation, that he has laid down especially for this Saturday’s WE Party. Now, we will be giving the mix our full focus in our upcoming music newsletter, although it rightfully deserves attention here too, Mr Pitron explaining of his creation, “…the session starts & ends with “WE (Eloise)” as well as some turbo-charged bass heavy Spanish productions mixed up with some tougher beats from my current sets, giving you a taste of what to expect…” very much dispelling the myth that his performance on Saturday will be just like another Beyond two hours. In fact, of all the compilations of his we have in our collection, this is the cleverest, the best thought out & most entertainingly diverse so far and has to be heard to be believed. So, go grab it now at http://stevepitronsessions.podomatic.com/ and be prepared to be dazzled, not just by the 28 track mix, but by the man’s performance on the night.

Joining Carlos & Steve will be London based international star Gonzalo Rivas,  (check out his amazing mix “Retrospek” at http://gonzalorivas.podomatic.com/) who will be adding his own incredible touch to the main room proceedings, while, flying in from Spain will be latest recruit to the WE core team of D.J.’s, Manuel De Diego, this amazing combination really setting the quality of music aside from any Spanish club import we have seen in London so far. Plus, the dynamic trio in the main space will be added to by the terrific talent that is Berlin based D’Johnny, he having very much carved a fantastic following here in the capital and, like Steve, is no stranger to The Coronet, having played for SuperMartXe there in the past, while the VIP room will have a vibe akin the iconic “lite lounge” at Trade, original residents Fat Tony & Guy Williams treating the select sophisticates to scores of spectacular sounds. So, there is no doubt in our minds that the music offering at WE this Saturday is going to be nothing short of scintillating, adding to all the other elements (check out our special preview at http://discomattpreview.blogspot.com/2010/11/welcoming-espania-we-party-special)  that should prove this to be one of the best parties & musical exhibitions the capital has seen in a long time. (DISCO MATT)

The date was 29th July 2006 and the event, the introduction to London gAylist clubbing of a Spanish brand that very much shook up the scene & heralded a wave of what was commonly termed as the “…Spanish Armada…”, pretty much transformed the style of clubbing in virtually every respect, from the music, to the shows, even to the crowds, Latino’s seemingly coming out of the woodwork and burgeoning a whole new class of clubber with smouldering looks to match the scintillating style of these Spanish imports. Yet, whilst both Matinee & SuperMartXe have pretty much ruled the waves, other brands like Space & La Troya getting a mere look in on their dominance, the tide of change has seen fortunes change for these enormous Espaniol outfits in London , clearing the way for a new pretender to the armada crown, a party concept & brand that made waves back home in Spain from the minute it was launched and, having stretched its legs across Europe, simply had to make it to the capital, sooner rather than later.

WE party was born very much on the back of the Spanish superclub concepts Matinee & SuperMartXe, these two big players on the Spanish scene slowly having shifted their fan base back home, from a predominantly gay audience for a much more mixed affair, some SuperMartXe parties aiming their intentions directly at the metrosexual crowd, paving the way for a new offering to woo the gay audience. And from the very first party in Madrid, WE proved its worth, through flamboyant & Fantastic lighting, effects, stage shows, dancers, music that have, inevitably, drawn comparisons with SuperMartXe, although it has not only wooed back gay audiences, but well & truly wowed them with draw droopingly amazing visuals & sounds that have set it aside from its alter ego and has set the WE brand on its own successful course. Indeed the philosophy of WE parties has, from day one, been one that pushes the boundaries, elevated the excitement & creates a carefree atmosphere, very much the epitome of gay clubbing & partly why our straight cousins have long wanted a slice of our action.

Digging a little deeper into the brand, probably the one question that we have been asked more than any other, is what does “WE” stand for? Well, to be honest we don’t know the actual answer, although it could possibly have been created from the inspiration that is the song “This Is How We Party”, a hit back in the 90’s for Swedish group S.O.A.P., this also hinting at the imagery of the WE party brand, being a washing soap bottle, hence the link. However, whilst this remains a mere hunch, what we can say with conviction, is that WE parties in Spain have been certainly created a new clubbing formula behind the brand explaining that “…WE party offers a new visual & sound reality, one that makes you think while you dance, a party where you have to adjust your memory & senses to actually perceive what is happening…”, the thought & the dedication to this philosophy showing through in each & every party the team have thrown. And, whilst immediate comparisons with SuperMartXe have been drawn, there is an unquestionably different & more exciting feel to WE events that have made it the new darling of the dance scene in Spain.  

So, having very much filled SuperMartXe’s boots in Madrid, they even hold their parties at La Riviera, the accolades have well & truly flown in, one city guide website neatly summing up the brand by saying, “…As the name of this event suggest, WE really does party. Taking place at SuperMartXé’s original digs at La Riviera, a huge Ibiza-style clubbing space complete with palm trees, WE Party puts on the kind over-the-top stage shows and fun-filled parties that made the former tenants loved and famous and get the hot boys out by the thousands, ready to whip off their shirts before you can say ‘is it hot in here or is it you?…”

But more than that, WE has also anchored a reputation across Spain, expanding across the Barcelona, where it got more than a look in during the Circuit Festival week, much to the irritation of Matinee who has always considered Barcelona as its own exclusive backyard, WE also making a big impact across in Ibiza this summer, partying with all the big boys and teaming up with Cafe Ole at Space. But the intentions of WE have extended across Europe, with a highly successful party in Rome, at Muccassassina, as well as a brilliant event at Xlsior in Mykonnos and with Paris planned for 11th December &, of course, London this coming weekend, the ambitions of the brand are big, WE’s driving force, Victor Pallas keen to expand into The States as well, as of going to press, his team tipping the scales over in Miami. Plus, with dates back in Madrid, you only have to take a glimpse at http://wepartyontour.com/ to get a feel of just what WE is looking to achieve, injecting bucket loads of fun back into clubbing that has long been missed and Victor, together with his terrific team, are now very much setting the trend & shaking up the scene in superb style.

However, all of this said, the best way to demonstrate just what WE is all about is to see the action for your own eyes & a whole myriad of videos are available to give you an insight into the exciting new formula that is WE parties, we picking out our favourites to whet your appetite in advance of Saturday’s event here in London. Our first & favourite is a their main promotional video which gives you the best idea of the extent of just what a big part the visuals play in the concept & construction of the amazing shows, which you can check out via http://facebook.com/WEpartygroup?v=wall#!/video/video.php?v=386744584701, the trailer to WE’s residency at La Riviera in Madrid, hinting to the kind of quality you can expect from this clubbing brand outfit when it plays out at The Coronet, at FB link http://facebook.com/WEpartygroup?v=wall#!/video/video.php?v=382276814701, while the essence of the fun the team want to bring back to the scene (with a dollop of wackiness thrown in for good measure) displayed at http://facebook.com/WEpartygroup?v=wall#!/video/video.php?v=382274779701, although what best captures the whole wonderment of We for us, is the video taken at their “Tokyo” party at La Riviera, the lighting , the crowds but moreover the visuals speaking volumes at http://facebook.com/WEpartygroup?v=wall#!/video/video.php?v=382252164701.

So, there is little doubt in our minds that this new Spanish sensation is set fair and as WE party delves deep into its second full year in operation, it certainly looks like making an impact on London in a similar way to SuperMartXe did two years ago, and we will be bringing you all the details you need to know about this exciting event, in a special Weekend Focus post, due out shortly. We will also be looking at the music of WE in a special post entitled “Wonderful Ensemble”, honing in on the talents that will be scintillating with their sounds on Saturday, this special devotion, issued via our music section in due course. . However, the best way to conclude our look at WE is to echo the words of Pablo Picasso in saying that “everything you can imagine is real” and the WE dream has very much become a reality for Mr Pallas & his team & we cannot wait to toast its coming in the capital. (DISCO MATT)

When multi-national organisation Gaydar decided to take the plunge into the bar & clubbing market, adding to its already well established online dating & networking business, as well as its popular radio shows & other online services, some immediately questioned why they should be entering a market place that was in complete contradiction to is regular offerings. Yet, with its first foray out on Frith Street, the venue gained considerable following, filling a neat gap in the selection of Soho sophisticates, although this massive conglomerate was keen to make a bigger impact of the capital’s clubbing scene and like its bar operation, fill a much needed gap in central London, particularly given the fact that many existing venues were either closing down (in some case bulldozed) or diminishing in popularity. So, they soon sought out a space on Wardour Street which had previously seen failed attempts to do similar, a launch under the guise of “Sweet Suite” falling at the first hurdle, although with the might of Gaydar behind it, this new operation had every chance of succeeding where others had failed.

Lo-Profile hit the ground running in 2007, very much capturing a change in clubbing trends, as people began to desert the larger venues in preference to the more moderate affairs that were better matching the needs & demands of a shrinking audience, some laying the blame on this change, funnily enough, at the door of online organisations like Gaydar, for revolutionising the way people meet & connect, this trend change meaning that the traditional way of meeting people, in bars & clubs, was becoming much less the norm. So, very much flying in the face of their bread & butter business, the bold move to open a nightclub was seen by some as controversial, as was the extrovert decor of Lo-Profile, the overt shapes of lighting around its entrance working well, but the replication across the club , a little too much for some. Plus, with certain club ventures failing to ignite expected attraction, it seemed the club was, like its predecessors, would flounder, although three years on, it is not only still alive, but very muck kicking.

So, given both the appeal of its sister venue, Profile, now located directly above on Wardour Street, plus with all the recent improvements to the club space, we simply couldn’t forgo making the trip down to Lo-Profile for its 3rd birthday celebration, even if we had stated we were suspending our reviewing activity for November, we very much pleased to make this exception.  Therefore, we made plans to meet up with D.J. close pal Brent Nicholls, who was due to perform at this special birthday bash, making our way to Profile for around 10 p.m. for the liaison with our friend, also catching up with Profile’s Friday resident D.J. Phil Marriot, who was in his usual chirpy mood & keen to party on downstairs after his stint behind the decks, transmitting his show live to Gaydar Radio’s Club Nation audience. And with the bar a frenzy of activity, not least with the bubbly enthusiasm exuded from fellow friend Andrea, who bounded up to make her presence felt

But the main focus was downstairs, so with Brent Nicholls leading the way, we headed through Profile and then down past the clubs reception, entering Lo-Profile’s space in time to catch the end of the VIP reception for this special birthday occasion, D’Johnny in charge of the musical direction, pumping out a neat selection of tech infused house hits to a select bunch of invitees ready to party deep into the night. So, soon finding ourselves at the bar, we grabbed some refreshments, served by the charming Philippe and began to circulate the space, bumping into familiar face, one after the other, including yet more D.J. pals (was it a convention?!) Alessandro Londra, Paul Heron, Nick Evans & Jamie Head, all making their appearance to toast Lo-Profile on its third year in operation. Plus, some the Gaydar top brass were around, we even getting invited to a glass of champagne, most agreeable, everyone in cheerful & celebratory mood as the club began to swell in numbers before our eyes, the staff motoring to get everyone served in their now customary efficient manner, special “3” balloons festooning the back bar to re-enforce the birthday message.

So, now we were set fair to soak up this Lo-Profile special occasion, planting ourselves in our favourite spot (come on you should know by now) just by the D.J. booth, the perfect vantage point to see the new lighting system swing into action, the bank of lasers swinging to the beats D’Johnny was bashing out & bouncing off the sea of bodies that was now filling the dancefloor. But when the podiums filled, first with enthusiastic party goers, one such hunk stripping to the waist, although he was soon to make way for an even tastier guy, part of the troupe of dancers that were to entertain our eyes throughout the rest of this pulsating party. And it came as no surprise that Mr photographer himself, Chris Jepson, was on queue to snap the gorgeous dancers in action, although fortunately we were also in pole position with our phone pointed directly at this sexy stud in front of us, our hands quivering as we shot away to our hearts content.

With D’Johnny’s set now over, it was down to Brent Nicholls to further elevate the already awesome atmosphere, he very much taking the music, grasping it with both hands and giving it his trademark latino edged & funky filled touches, with plenty of house heaven anthems from across the three years of Lo-Profile’s existence, trading classics like “Sunday’s At Heaven”, with more recent hits “Devil Walking” “Hey, Hey” and many more, although the rapturous reaction to Toca’s “Miracle” was one of the most amazing we have seen anywhere & proved a truly magical moment within this Aussie D.J’s superlative set. And we were very much in full flow, especially in the company of Mr Marriot, who had now made it down from upstairs to join in the party, we not only trading dance moves, but also sharing more than a joke or two which was, yet again, proving to be a fabulous Friday sashaying in Soho rather than being vivacious in Vauxhall.

With Brent in complete control of the decks and the new lighting & effects in full tilt, we were going nowhere, our original plans to stay for just an hour or two, laid to waste, our dancing dervishness showing no signs of slowing down, so good was Lo-Profile, even outstaying the usually energetic Andrea, who curtain called before us. But with yet more people swinging by, including the charming Suzana Quentin & the lovely Naomi Ruiz, as well as beautiful Brazilian Lunarde Martins, the captivating company couldn’t have been better, our spot by the D.J. booth proving the perfect place to be, Brent continuing to delight with one delicious dance tune after the next, all very evocative of this special 3rd birthday bash, he pitching the music perfectly, ensuring the dancefloor remained rammed right up to the 4 a.m. finish. And, whilst we really wanted to stay to the end, the call of our bed & resting before a journey to family duties the following morning, meant we had to grace our exit, collecting our bits from behind the D.J. booth, saying farewells to those around us, then sliding out into Soho to wend our way home & reflect on what was certainly a superb celebratory event extra-ordinaire.

There is absolutely no doubt that Lo-Profile, in its three year history, has gone from strength to strength, Fridays as well as Saturdays proving more & more popular as time has gone by, this being no surprise, particularly when you consider the wealth of D.J. talent the team employ to attract the masses, talents Steve Pitron, Mikey D, Jamie Head, Paul Heron & Gonzalo Rivas, among a host of others, all very much  the cream of the London clubbing scene, that many a larger club operation would be proud to sport, meaning the music is the best you will find anywhere. And with both D’Johnny & Brent Nicholls masterminding that music for this 3rd birthday bash, we were very much treated to a truck load of terrific tunes from start to finish, all added to by the brilliant new lighting installations that have made such a big difference to both the atmosphere & ambiance of this Soho sophisticate, combining to make Lo-Profile, not just a credible alternative to the larger offerings south of the river, but a captivating club in its own right. So, we raise our glass in hearty congratulations to the team behind this prolific place & look forward to celebrating the next birthday in just as much style as this. (DISCO MATT)

Postscript

To mark Lo-Profile’s third birthday, resident D.J. Brent Nicholls has compiled a special mix, marking this special occasion, his 18 track devotion covering the three years of the clubs history with some truly amazing anthems, Brent describing it, modestly, as “…nothing groundbreaking, just a collection of good time memories defined by house music…” this hardly doing justice to what is one of his best creations of 2010 so far, keeping us addicted from start to finish and will surely do the same for you too.

So, to download this mesmeric mix, go to http://djbrentnicholls.com/web/music & click on the relevant link. Plus, to see the new look Lo-Profile in full swing, captured in video by Mr Nicholls, go to either his own website or to direct link http://seenqueen.com/web/tag/lo-profile-3rd-birthday/ and sink yourself into both the music & the action of this outstanding outfit.

Looking back over the last few months, indeed years, there is no doubt that when it comes to Saturday night clubbing, the scene in London has seen some quite dramatic changes in trend, this usually most popular weekend slot having pitched & yawed in popularity, only a handful of brands surviving to tell the tale. Indeed save for some of the major brands, finding somewhere to party like (as the song goes) 1999, is increasingly more difficult, much of the central London locations either having been bulldozed to make way for other uses or filled with club brands that don’t necessarily appeal. So, as a consequence, Saturday’s have become rich pickings for the likes of SuperMartXe and, until recently, Matinee, one other brand showing itself on a monthly basis to make its own mark on a struggling slot when venues such as Barcode & Lo-Profile end up making the most of.

Lovechild very much has established itself as a prime contender for Saturday nights in the capital, making the bold move to change its original Sunday slot in favour of what, at the time, proved a wise choice & & popular decision. Indeed, it hardly seems a year since promoter Alex Erfan decided to move his lovable clubbing brand from its first home, Pacha in Victoria, to Fire in Vauxhall, the move giving him the flexibility he need to broaden both the appeal & dynamic of the monthly parties, a whole host of events having made a considerable splash on the capitals scene, firmly establishing it as one of the venues more popular events, well on a Saturday at least. This move to Vauxhall has also allowed Mr Erfan & his close team to expand into other brands, both home grown & international imports, although it would be fair to say that Lovechild is Alex’s first born in his recent relationship with Craig Elder’s group, so remains close to his heart and one which we have both supported & attended on a regular basis. So, despite certain issues with another scene club promoter, forcing us to take a sabbatical from our review duties, we made an exception for this special Lovechild “Anniversary”.

Another major reason for breaking our embargo on reviewing, was the arrival in London of Barcelona based boy, Javier Medina, whose work we have been promoting since the spring & indeed someone that has become a good friend, we spending time together as recent as September in Paris, as well as having connecting when he played on behalf of Lovechild at the August Bank Holiday As One event. So, whilst up until the actual day, it seemed doubtful we would make it to Fire, as Saturday dawned, we decided to brush aside, or at least dispel for a few hours, the issues that had forced us to suspend our writing & clubbing, the night actually becoming quite busy early on, with a boat party trip on the Thames, followed by a dip into Soho to celebrate both friends Michelle Thornber’s & Tom Marchant’s birthdays. But, a 1 a.m. liaison with Brent Nicholls, who was due on Lovechild duty, saw us arrive at Fire at a little shy of 2 a.m., we eventually finding ourselves at the venues “Lightbox” entrance, the revised arrangements for this anniversary occasion.

Making our way through & around towards the rear entrance (not tradesman’s before you ask) we were greeted by the man himself, Alex Erfan, who was beaming from ear to ear although very much concealing his concerns over the revised set up for this special one year celebration of his lovable brand, he guiding both us & Brent through into the replacement for the usual lounge space, the small “raw” room, which, if we are honest, has never really worked from the day it was opened, the space being very much divorced from the rest of the club. Dropping off our bits & boobs behind the D.J. booth & catching a hello with Terry Vietheer behind the decks, Alex then escorted us through into the Lightbox area and then on into the mirrorarch room, we very keen to catch up with our Catalonian companion, although as we arrived at the D.J. booth, Mr Medina was nowhere to be found, instead, Tony English was in charge of the sounds, Alex advising that a revision to the D.J.’s timings had been necessary due to the change in the club configuration. So, after a brief stop off in the upstairs VIP area, when Alex discussed some issues of the day with us & Brent, we found ourselves back in the raw space where Mr Nicholls acclimatised himself with the change in surroundings & scenery and prepared to commence his set.

Still wanting to catch up with Javier, we soon headed back into the mirrorarch to find him in situ by the D.J. booth, our Barca boy giving us a hearty hug & delving into catch up conversation, we also being introduced to his travelling companion, who was already stripped to the waist & well into the action. Fitting in a sneaking smoke break, we soon found ourselves back in the mirrorarch & getting into the swing of Mr English’s sounds, very much more uplifting & accessible than we normally expect from this talented D.J., his usual style more euro-beat in its make-up, Ibiza & Spanish influences much more his flavour, although with the room packed & Thiagio Drewery’s dancers making the first of many showings, this anniversary event was certainly hitting the spot, the macho & testosterone fuelled feel that Lovechild has come to be known for, back with a bang & even the dancers much more butch & muscular than we had seen of late.

But the best was to come as Mr Medina rose to the decks, immediately upping the pace of the music & taking the crowd on a magical mystery tour through Spanish sounds, tribal tunes & much more hard edged house, the kind that always seems to go down well in this, our favourite space at Fire, Javier really capturing the imagination of the crowd, who soon filled the podiums in front of the D.J. booth & further down the room, whoops & cheers coming with every record selection & a stream of people coming up to our spot to find out who the maestro in charge of the music was. Indeed with scores of people intent on soaking up his superb sounds, the mirrorarch, which had been packed before, saw no signs of receding, rather filling out even further as the waves of go-go dancers delighted & then the superb PA performance by Lizzie France well & truly erupted this exceptional event.

However, in contrast to Mr Medina, who was definitely making his mark, as good as both Mattias in the Lightbox & Brent in the raw room were, they were struggling to capture the crowd & the imagination, even though their music was very much in tune with Lovechild & the moment, Javier rather having the lion’s share of the party people. And the already busy main space filled further  when two hunky half naked dancers ascended the stage and began a teasing display, slowly revealing their prone assets for all to see, not least Mr scene photographer himself, Chris Jepson, in perfect position to catch these well endowed muscle men’s posing, even D.J. & pal Phil Hewson looking on in amazement. Now, we were going absolutely nowhere, Mr Medina’s music captivating us with every track selection, we spinning on our spot in a-typical Disco Matt dervishness and loving every minute of it.

But, with an unfortunate encounter with one of our clubbing critics, a protagonist that had become intensely personal following an issue at Beyond a few weeks before, our elevated mood was dented considerably and with Javier’s stint nearly over, although looking like it would continue as Gonzalo Rivas had not yet arrived, we headed for the comfort & security of the raw room & Brent Nicholls, who was still spinning his latin infused & funky sounds, his friendly reassuring smile filling us with the confidence we had lost, even Paul Heron’s impromptu arrival helping tremendously, Brent joining in the joviality which made for an altogether pleasant end to our stay at this special Anniversary Lovechild celebration. However, with the call of Beyond, yet the need to drop our excess baggage off at home, Brent dispatched us to say our farewells to Javier, before  we made our way out of Fire and into the Vauxhall early morning to reflect on a party with a difference, some for good reasons, others not so.

There is no doubt that, in the room format that we found it, Lovechild this time round had a distinctly different feel and without both the main room & the lounge spaces, was definitely lacking in overall appeal & satisfaction. However, the mirrorarch space very much made up for the missing elements, not least Javier Medina’s performance, which truly captured the essence of Lovechild for us, euro style sounds & macho mesmeric music that was much more akin to the brand rather than the usual uplifting & energetic genres that seem to feature across the London scene so much. That said, Tony English’s performance went down extremely well, we also hearing that Phil Hewson’s set was superb, plus with the calibre of D.J.’s like Brent Nicholls, Mattias  Alessandro Londra, & Terry Vietheer, not to mention the prolific PA Lizzie France, there was no short of terrific talent on this special occasion.

However, as good as all these individuals were, not forgetting the drop dead gorgeous dancers on display f course, we cannot escape the fact that the topsy turvy room set up at compared to previous Lovechild’s in Fire, was not just disruptive to the flow of the party, but made it feel completely different, a shame when this was supposed to be a celebration of Fire being this brilliant brands best home so far. Plus, when we heard the main room had been given away to another event, so as to keep the refurbishments fresh for Revolver the following weekend, we were short of dismayed at this move on many counts, mostly, as being one year on, you would have thought the venues management would have allowed its strongest Saturday night brand the free run of the venue it deserved, rather than reserving some final changes to the main room for a crowd that might not (and indeed failed to) materialise. As for Lovechild itself, with expansions into Europe & beyond, life couldn’t be better for Mr Erfan’s lovable club & with London firmly established, we look forward to celebrating many more anniversaries as well as birthday’s to come. (DISCO MATT)

Postscript – Lovechild Music

 

There is little doubt that Lovechild has & continues to sport one of the strongest resident line-up’s on the capitals clubbing scene, not to mention a host of guest D.J.’s that make the music it plays not just diverse & interesting, but some of the best you will find anywhere. International talents that have graced the clubs decks in the year it has partied hard at Fire have included Albert Neve, Leomeo Carandang, Justin Ryan, Johan Khoury and, of course, Javier Medina, while London based guests extend to Terry Bryan, The Oli, Alan K & Nick Tcherniak. Yet, as this list wasn’t sparkling enough, you then include the list of residents & it truly becomes awesome, Italian’s Pagano, Gabriele Cutrano & Alessandro Londra, Australian’s, Brent Nicholls & Terry Vietheer, Englishmen, Phil Hewson, Tony English, Lee Harris & Jc Christopher, Scot, Paul Heron and Swede, Mattias, even South African Leroy Tayler, a roll call indeed.

But it gets better, as not only is there a special site dedicated to the music of Lovechild, mixes available from the likes of Nick T, Paul H, Mattias, Alessandro, Gabriele & many more, all 13 episodes which can be downloaded from http://lovechildclub.podomatic.com. But, yet more are available via the D.J.’s direct web pages, all worth a look, http://events.leroytayler.podomatic.com, http://justinryan.podomatic.com, http://soundcloud.com/djalessandrolondra, http://funkylondon.podomatic.com (Phi Hewson’s site) & http://soundcloud.com/gabrielecutrano.

However, marking this 1st Anniversary party as only he can do best, is Brent Nicholls, with his compilation entitled “LoveChildOne – Feels Like Fire Mix”, which he describes as “…a collection of funky flavoured nufunk, tech dipped & disco inspired tunes…” and he is not wrong there, our fave tracks being “C’mon Get Funky”, “Let’s All Chant”, “Sweep The Floor” & “Disco Disco Disco” (there’s a surprise), but with 13 more terrific tunes besides, making for what we would describe as a retro meets modern gem of a compilation with the Nicholls magical twist to it. So, this is truly a gorgeous gift to Lovechild on their 1st Anniversary and can be one to you too, by going to http://djbrentnicholls.com and then either scrolling down the home page, or selecting his “music” section.

Finally, the “official” Lovechild Anniversary mix was pressed onto CD for the party & handed out across the evening, this 44 minute marvel mixed by resident D.J. Tony English, which is a glorious collection of both uplifting vocal tunes & euro-style beats, very much evocate of his superb set on the night and is a MUST for your collection. Now, for those of you that weren’t around & didn’t get a copy, the good news is that it will be released on http://lovechildclub.podomatic.com in the next week or so, although in the meantime, if you fancy a copy, then just drop your details to Disco Matt headquarters via disocmatt@hotmail.com & we will arrange to forward a copy to you. Plus, for Tony’s regular podcasts, go to http://tonyenglish.podomatic.com.

So, with well over twenty Lovechild inspired mixes available right here, as we love to say, “…sit back, select those sounds, turn up the volume & let them play, as Music Is The Answer…”

In advance of our latest DM Does The Music News post, entitled “Big Guns & Baby Boomers”, due out later this week, we thought we would whet your music appeties with a special  devotion to all things Lovechild, the club brand that marked one year at its current home Fire, back on Saturday 13th of this month 

In capturing a few clips of recent focus posts & previews, where we looked at the works of D.J.’s and then by honing in on specific Lovechild inspired compilations, this is a special “Music Is The Answer” post, that also marks the end to our sabbatical in advance of a full resumption of services on 6th December. So, we hope you like our indulgence to all things Lovechild and prepare to get busy downloading & listening to some magnificent music.

So let’s crack on with our look back which begins in June, it marking our first real focus on D.J.’s in depth within our Lovechild recommendations posts and whilst the event itself was pretty low key, the music was far from, this being the many reasons why.

“…..Looking at these D.J.’s on offer, the range of house music genres on offer is simply dynamic and the combination will definitely deliver to suit all tastes. Brent Nicholls is in a really pioneering sector of sound at the moment, playing out fresh track, one after the next in the style that he coins “Nu-funk”, the type of music that gets the feet moving, the hips swaying & the bodies gyrating to the funky & disco/electro drenched beats, endless examples available through his LGDF dedicated compilations as well as those pressed for both Hustlaball & Pervert, which you can check out at http://djbrentnicholls.com/music.

Both Terry’s are accomplished deliverers of uplifting yet funky filled house with tech tinges, the antipodean Mr Vietheer making an impact at Heaven’s Popcorn as well as appearing at hip hangouts Barcode, Rupert St, and has literally just released his latest compilation entitled “funky for love” (very appropriate) which is out now at http://soundcloud.com/terryvietheer/funky4love-june-2010-promo, while Mr Bryan continues to make musical waves at clubs that include A.M., Booster, Beyond & Later as well as featuring in Bank Holiday Orange specials, just last week treating us to some storming sets at Beyond & Orange in Area’s fabulous Terrace Bar space, but really tickling our disco & funky fancies in the Vinyl room at A.M., showing the depth in his musical talent, his latest compilation out at http://terrybryan.podomatic.com giving a real flavour of his style.

Then there is the magnificent Mattias, who never fails to impress with his octane fuelled tech & progressive house, making him a favourite attraction wherever he goes, holding down a exhaustive international roster, but popping up in the capital every now & then, Barcode & A.M. included in recent appearances, his irresistible musical flair reflected beautifully in his latest “tech house in your face” mix out at http://djmattias.podomatic.com, while Rupert St favourite Alessandro Londra will be back to Lovechild too, stirring the emotions with his fiery Sicilian passion which shows through in the explosive & exciting music he plays, that has seen him star at Matinee’s both old & new, hangouts including Lo-Profile & Barcode, sexy lads outfits Rudeboiz & Fitladz, not to mention massive clubs As One & Beyond and his latest release “Get Wet”, out at http://soundcloud.com/djalessandrolondra/get-wet  will certainly whet your appetite for his music…..”

In July, when London enjoyed the first of two Lovechild parties, the first being “Making Hay” which featured a South African talent that had made waves at the London Global Dance Festival just a few weeks before & we featured him in our focus post, also then mopping up on other’s D.J.’s works in a review postscript.

“…..Making a welcome return to the U.K. is South African Leroy Tayler, who starred at the recent LGDF series of events, landing plenty of new fans at Later’s party that Sunday, so should prove a popular draw again, his distinctly African inspired funky & electro sounds having secured a residency at Cape Town’s premier Crew Club, not to mention being part of Salvation’s touring team. And in celebration of his appearance, Leroy has laid down a specially dedicated compilation which is available at http://events.leroytayler.podomatic.com, the 117 minute mix very reflective of his afro percussive/electro style & sound and is an absolute gem…..”

“……As our review has highlighted, the music at this “Makin Hay” event pretty much stole the show, and the good news is that if you witnessed The Oli’s superb set, you can re-kindle some of that magic via his latest compilation “Long Summer” which is available at http://theoli.podomatic.com. Plus Phil Hewson has laid down a special mix for this “Making Hay” event, which you can download from http://lovechildclub.podomatic.com……”

August saw Lovechild going very summery on us with a beach party in association with Brighton’s Wild Fruit & the strong D.J. resident team certainly delivered on the promise within our “Hot Dates” post.

“…..But raunch aside, the music will be doing it own kind of talking across all three spaces and Lovechild will be bringing back some of its favourite residents who have been missing from recent parties. Alessandro Londra makes a welcome return, having completed a successful tour of Rome since his last Lovechild appearance and he continues to pack a punch at Lo-Profile, Barcode Vauxhall, Rudeboiz (he will know plenty about the contact room!) and, of course, his longstanding residency for Rupert Street. Over & above all of that, Alessandro can count recent gigs for both Beyond & Matinee as highlights, he performing brilliantly at the latter’s “Open Air Summer Party”, which was the Sunday success of the year so far. Young talent and recent Lovechild resident inclusion, Jc Christopher, also makes his return and this will be his third gig for Alex Erfan’s Saturday night outfit, Jc having really got the party going with a brilliant opening set at his last showing in June and will surely be doing the same again.

Then we come to the trio of Aussie’s that we hinted on earlier and first is Terry Vietheer, who like Jc is a recent addition to the Lovechild team, yet deservedly so as the man has been making waves over at Heaven’s Monday nighter, Popcorn, while he also resides for the monthly Shadow Lounge Thursday party, Hola, not to mention popping up at Barcode Vauxhall every now & then, Terry treating us to a terrific tank load of tunes at their 4th birthday bash. But one return we are really looking forward to is Brent Nicholls, who has be a noticeable absentee from the last two Lovechild’s thus making his return all the more enticing. And what can we say about this hugely popular & capable master of his game that we haven’t said before except of his unique genre of house, which he calls “nu-funk” & which is definitely doing it for us at the moment, should feature large in his se, so with the prospect of his performance soaked with these sensational sounds, we cannot wait…..”

September saw us miss out on Alex Erfan’s lovable brand, as we were on a tour of duty in Paris, although Lovechild had their own slice of France, a the Delice boys landed on London and we focussed on the event & an Italian & Englishman that made it the team of resident D.J.’s that time.

“…But, the music is likely to be just as attractive for this special party, not least as the guest slot is filled by the handsome & talented Fabio White, who last entertained us here in gAylist world in the capital at the massive London Global Dance Festival and we know just how excited he is to play at this latest Lovechild event and in Fire’s new look main room to boot. His combination of uplifting, funky & fulsome house will very much find favour with the Lovechild & Fire crowd, Mr White being backed up by a host of resident D.J.’s from promoter Alex Erfan’s extensive stable, the likes of Tony English & Leroy Tayler, both who are familiar with these hot & horny parties and who have just laid down new podcasts that give you more than a hint of the kind of music to expect from their sets. Tony’s latest is crammed with some of the most recent euro style beats to be hitting both the dancefloors & the airwaves, it also adding a touch of Spanish sound as Cafe Ole & Space Ibiza resident Pablo Kopanos features within the 70 minute mix which is well worth a listen by going to http://tonyenglish.podomatic.com…”

Then in October it was the turn of “Hot Muscle” to take centre stage, a musclbound event, with music to match, the team welcoming a special guest from the states, this giving us a chance to conduct a mini bio on this pint sized powerhouse.

“…Alex is proud to welcome Justin Ryan to London, an internationally renowned D.J. that made his debut behind the decks in New York, but soon spread his wings across America, playing an intrinsic part in Miami’s “Winter Party” & the city’s “Out In The Parks” summer tour, also playing out to packed audiences in Washington DC, Philadelphia, Dallas, Atlanta & Fire Island, as well as up in Montreal, Canada. However, spreading wings comes naturally to Justin and he has formed serious foundation in Australia, establishing a residency with one of the top events teams there, which has seen him play at the huge Sydney Mardi Gras, as well as for club brands Love Muscle, MarXe, Big Q Rising, and latterly, Live, the club that co-hosted the Lovechild party we mentioned earlier, Justin playing alongside Sydney based Johan Khoury (also a Lovechild guest D.J.) and London resident Alessandra Londra.

Mr Ryan’s characteristic uplifting vocals & melodic house hits, intermixed with progressive, latin & euro style beats are sure to go down a treat on the Lovechild London main floor and his energy & enthusiasm for his art will definitely come through, he remarking that “…I always try to deliver the highest energy through my performances, I like to feel part of the crowd and lead them through the party…” And, in celebration of his recent Sydney appearance & that for London this Saturday, Alex has laid down a special compilation, simply entitled “Lovechild” which is well worth a listen at http://justinryan.podomatic.com/ & judging by some of the tracks on here, gosh are we in for a treat at Fire (also check out his photo…he & Johan Khoury have to be related, what do you think?!)…”

And that bring us pretty much up to date, we going the extra mile with a full on postscript inclusion to our Lovechild 1st Anniversary review, which kind of speaks for itself & rounds up this special look at Lovechild, save for a final conclusion to come

“……There is little doubt that Lovechild has & continues to sport one of the strongest resident line-up’s on the capitals clubbing scene, not to mention a host of guest D.J.’s that make the music it plays not just diverse & interesting, but some of the best you will find anywhere. International talents that have graced the clubs decks in the year it has partied hard at Fire have included Albert Neve, Leomeo Carandang, Justin Ryan, Johan Khoury and, of course, Javier Medina, while London based guests extend to Terry Bryan, The Oli, Alan K & Nick Tcherniak. Yet, as this list wasn’t sparkling enough, you then include the list of residents & it truly becomes awesome, Italian’s Pagano, Gabriele Cutrano & Alessandro Londra, Australian’s, Brent Nicholls & Terry Vietheer, Englishmen, Phil Hewson, Tony English, Lee Harris & Jc Christopher, Scot, Paul Heron and Swede, Mattias, even South African Leroy Tayler, a roll call indeed.

But it gets better, as not only is there a special site dedicated to the music of Lovechild, mixes available from the likes of Nick T, Paul H, Mattias, Alessandro, Gabriele & many more, all 13 episodes which can be downloaded from http://lovechildclub.podomatic.com. But, yet more are available via the D.J.’s direct web pages, all worth a look, http://events.leroytayler.podomatic.com, http://justinryan.podomatic.com, http://soundcloud.com/djalessandrolondra, http://funkylondon.podomatic.com (Phi Hewson’s site) & http://soundcloud.com/gabrielecutrano.

However, marking this 1st Anniversary party as only he can do best, is Brent Nicholls, with his compilation entitled “LoveChildOne – Feels Like Fire Mix”, which he describes as “…a collection of funky flavoured nufunk, tech dipped & disco inspired tunes…” and he is not wrong there, our fave tracks being “C’mon Get Funky”, “Let’s All Chant”, “Sweep The Floor” & “Disco Disco Disco” (there’s a surprise), but with 13 more terrific tunes besides, making for what we would describe as a retro meets modern gem of a compilation with the Nicholls magical twist to it. So, this is truly a gorgeous gift to Lovechild on their 1st Anniversary and can be one to you too, by going to http://djbrentnicholls.com and then either scrolling down the home page, or selecting his “music” section.

Finally, the “official” Lovechild Anniversary mix was pressed onto CD for the party & handed out across the evening, this 44 minute marvel mixed by resident D.J. Tony English, which is a glorious collection of both uplifting vocal tunes & euro-style beats, very much evocate of his superb set on the night and is a MUST for your collection. Now, for those of you that weren’t around & didn’t get a copy, the good news is that it will be released on http://lovechildclub.podomatic.com in the next week or so, although in the meantime, if you fancy a copy, then just drop your details to Disco Matt headquarters via discomatt@hotmail.com & we will arrange to forward a copy to you. Plus, for Tony’s regular podcasts, go to http://tonyenglish.podomatic.com…..”

Well, that is it, our look back over the last five/six months of mesmeric music from this loveable clubbing brand and apart from saying, happy anniversary Lovechild, we love you, we have to thank ALL the D.J.’s that have graced Lovechild’s decks over these months, as well as thanking Alex Erfan, Roni Inan, Danny Shubert, Thiagio Drewery and the rest of the Lovechild team, without whom, this post would not have been possible.

So, with countless amounts of compilation mixes to download (if you don’t have them already, our parting words on this special musical look at Lovechild simply are, “…sit back, select those sounds, turn up the volume & let them play, as Music Is The Answer…”. (DISCO MATT)

When we first landed on London and started our clubbing career in the capital, Sunday’s were very much the day to party hard & decadently, this trend having been forged by the mighty Trade, which when opening its doors back in 1990, quickly caught the imagination & short of transformed Sunday’s into the vogue day of the week, many swapping paper reading for partying, church for cavorting. So, it was natural that, when spilling out of Turnmills (Trade’s home) the energetic throngs of clubbers simply didn’t want the merriment to stop, thus an institution was born that, like its Sunday morning mother, firmly established itself on the capitals clubbing calendar, host venue Villa Stefano’s a must visit for any post Trade baby looking to dance deep into Sunday evening in what become the most decadent tea dance we have ever known.

DTPM is without doubt one of the leading clubbing brands, whose reputation has stretched far & wide, a club that has very much moved with the times, literally, from its original slot of 3 p.m. on a Sunday through to more of a Monday morning club & back ago, its 18 year history littered with amazing parties at a host of venues in the capital, including The End, Fabric & more latterly Paramount, but finding favour for us the most both in that original timing slot & at ancestral home Villa Stefano’s, it also being the natural follower to any Trade event. Indeed, living up to its name, in Latin, “Delirium Tremens Post Meridian”, roughly translated (in Disco Matt talk) as meaning “Delirious Teadance Post Midday”, it always seemed to have more significance on a Sunday afternoon rather than a Monday morning and so, when we heard that it would be making a welcome return to the scene, not only in our favouring timing slot, but following Trade’s 20th birthday event, we simply had to include it in our schedule, not least as promoter Lee Freeman had chosen the superb Cargo as a host venue for this “Eastbenders” titled trounce.

With Trade wearing us out in more ways than one (all for good reasons of course), we felt the need for a respite before landing on Rivington Street in London’s select situ Shoreditch for DTPM’s afternoon event, a short amount of re-fuelling of energy sought at hip hop hangout Rupert Street, before landing on Cargo at just turned 5 p.m. Whilst our arrival was a little later than planned, plus a good 4 hours after the party had kicked off, we were still in time to catch the ever engaging Laurent Chaumet on the door, who greeted us with his familiar French charm & warmth, escorting us through the entrance & past the  friendly security staff & into the club proper, taking a moment to catch up in bits & bobs with us, before returning to his met & greet duties. Then it was just a case of finding the coatcheck to deposit our bits & bobs , while acclimatising ourselves to the inside of Cargo, this being our first visit, although the location being familiar to us as our daytime duties often require us to call on the address.

Ready & raring to go, we made our way into the main room space, filled nicely with plenty of partygoers, many whom had made the trip up form Trade, while a select few had very much more fresher legs to carry them through to the planned 10.30 p.m. finish. Moving around the dancefloor towards the bar to grab refreshments, we soon came across familiar faces, including Clington Forbes, who was still looking remarkably fresh following well over 12 hours of clubbing (like us), he having changed out of his Halloween attire that he had graced so fabulously at Vauxhall Chainsaw Massacre the night before, he getting down to the magnificent music at this “Eastbender” event with his usual gusto, invoking a similar reaction from our now refreshed legs, the New York & nu disco house that incumbent D.J. Guy Williams was selecting, very much hitting the mark & easing us into the party perfectly. And, it wasn’t long before we found ourselves at the D.J. booth saying our hello’s to the man behind the decks, Mr Williams still looking full of beans, even after the full-on fourth birthday bash for his own club brand Black Rabbit, as well as succumbing to the pleasures of Trade, which included a set in the lite lounge, the man clearly in party mood & enjoying this DTPM leg in his marathon weekend immensely. Indeed, he was very much in the grove with his music selections, the style much more akin to his performances at paradise 45 (another brand of his), but every bit the part for this cavorting at Cargo.

Feeling the need for a quick break out on the terrace to indulge in our re-emerged vice, we first caught up with Simon Patrick whom we had seen a mere four or so ours ago in a similar spot at Trade, he having taking the sensible decision to pop home & refresh himself for this post midday shindig. With a clutch of other familiar faces also taking a breather from the action inside, including D.J. Mikey D, who bounded up to say hello, soon followed by main man Lee Freeman, sporting his trademark trilby hat, who was just as pleased to see us, diving deep into conversation about all things DTPM, also touching on the change in D.J. line-up, Boy George, who was supposed to be headlining the event, cancelling (we were told for good reason) at the last minute, although such was the strength of the rest of the team, it didn’t make any difference to the party’s outcome.

With the familiar uplifting music sounds piping through onto the terrace, we starting searching for the source, soon finding it in the shape of the intimate second space, which was tucked away at the end of the venue, a neat little room with its own bar & make shift dance area, filled with a select crowd of faithful’s lapping up the superb sounds of the man in the seat, none other than Fat Tony, who had, just hours before, captivated us in Trade’s lite lounge. And with Clington in attendance, we soon get into the swing of this more uplifting & funky offering, spinning on our spot by the D.J. booth, even Lee & Simon joining in for a while, others also spilling in the space and adding to the already audacious atmosphere, all helped along by Tony’s selections which would never be complete without “Release Me” and “Here Comes The Rain”, both erupting the room & everyone in it.

But, as good as this little space was, we were being drawn back into the main room, our arrival timed to perfection as Guy Williams was ready to hand over the reins to the duo of Nick Tcherniak & Steve Thomas, an increasing gathering of party goers having assembled around the D.J. booth & stage, including the naughty but nice Tom Marchant, as well as Mr Patrick’s crew, which included TTD men Billy Richard & Greg Mitchell. And, with Guy in a really mischievous mood, not just playing with the red light behind the booth, but joking u with us & Steve, it wasn’t long before the whole affair descended into one hilarious moment after the next, Mr Williams continually put Mr Thomas off his stroke as soon as he got anywhere near the decks to mix a record, Nick having to assume control, while we were bent over in fits of laughter, Gus face an absolute picture and everyone around entering into the spirit of this jovial encounter extra-ordniarre.

So, with Mr Tckerniak in complete control of the music and his selections finding favour, the music more on the tougher side & much more akin to the DTPM style we had been used to, the stage also erupted into action, two scantily dressed go-go’s ascending each side & displaying their wares in front of the massive screen which was flashing vivacious visuals to enhance the show the twosome were entertaining the crowd with, the whole place pulsating with action and the atmosphere building by the second. Yet, as good as the party was becoming, our energy levels suddenly fagged somewhat, the previous 12 hours plus of hectic dancing beginning to take its toll on our remaining reserves, so we resigned our mind into following what our body was telling us, gracing our exit from this exceptional “Eastbender” event, to saunter back across town, leaving a still buzzing Cargo & DTPM mash up which partied on deep into Sunday night in style.

Having made the effort to make it across to Shoreditch & the brilliant host venue Cargo on Rivington Street, there was no doubt in our minds that this was the best choice place that lee Freeman had made since bringing the brand back to London just about a year ago. Yes, the location was not the most familiar to many, perhaps reflecting in the overall attendance, but the whole feel & vibe of Cargo suited DTPM perfectly for us, that post midday timeslot also finding our favour, added to the fact that the pitch of the music was just right, Guy Williams’ nu-disco blending into Nick’s more tech infused style brilliantly, while the second space in the hands of Fat Tony right up our street. And, while our stay wasn’t as long as we would have liked, the time we had there was full of fun from start to finish, the atmosphere amazing & the company equally so, meaning that our Cavorting At Cargo ended up being a most enjoyable experience, we looking forward to the next DTPM outing with interest, especially if the host venue is this swish spot in Shoreditch. (DISCO MATT)

Casting our minds back to when we were twenty, finds us frolicking in the clubs in & around Johannesburg, our informative years having been spent in South Africa, but in moving to London when we did, signalled a real step change in the way we clubbed. And the music we listened to, the hi-nrg sounds of the eighties transforming to the hard house tunes of the nineties with one club shinning out over & above the rest as the real trendsetter in this respect. Plus, setting its stool on a Sunday morning was also very much an evolutionary step for the London scene, especially at a time when the only option after the mainstream clubs closed, were illegal raves for clubbers & cruising for others, this now legendary institution quickly establishing itself as THE place to be & be seen, the place being Turnmills & the club being Trade.

Since its launch back in 1990, Trade has assumed that legendary status with consummate ease, along the way bringing us larger than life character’s, not least its creator Laurence Malice, but also other including the amazing artist, known best as Trade Mark, as well as a host of D.J. talents from Malcolm Duffy, Alan Thompson, Steve (Janet) Thomas, Ian M, Pete Wardman, Gonzalo & who can ever forget, the late great Tony De Vit. And these main room D.J.’s really set the trend for the hard edged Sunday morning partying that went on at Turnmills throughout the 90’s, further enhancements including the introduction of the Trade lite lounge, spurning greats like Guy Williams, The Sharp Boys & Fat Tony, while the post weekly Turnmills years have seen the brand choose venues like The Renaissance Rooms, Colosseum, Area, Fire, Egg, & MOS to lay its specialist night hat, never failing to celebrate its birthday in style somewhere, the most memorable of late being the 18th, which was held at The Arches in Southwark. So, celebrating Trade’s 20th  birthday was a given and in returning it the place of those memories of two years ago seemed an incredibly popular move, but how did this landmark anniversary in the clubs history turn out? and what were our huge highlights?

With the anticipation for this 20th birthday building to a crescendo, we found ourselves in a lengthy queue at Arcadia’s (formerly The Arches) doors at not long turned 5.30 a.m., the fevered frenzy feel that used to grip us back in the days of Turnmills back with fervent, our hearts tripping a beat as we patiently waited for our turn to be checked in by the extremely overzealous security on the entrance. Mind you, given the incidents at the 18th birthday, it came as no surprise that the checks were somewhat over the top, clearly slowing the process down, as was the woefully undermanned coat check system once we were inside Arcadia’s walls. However, as with those heady days back in the 90’s, we quickly learnt patience needed to be the order of the day, this being rewarded by our release into the club with fellow Trade party goer Benoit, to grab refreshments at the busy main bar, having already in this short time, caught up with a score or more of familiar faces.

Main room bound, we were keen to check on exactly what the D.J. line up would be, the first room by the entrance already having been laid aside for Gabriele Cutrano to warm the crowd into proceedings, we finding the delectable Per QX opening, not necessarily the start we had expected, the usual form of Malcolm Duffy mysteriously absent. However, we quickly warmed to Per’s electro twisted beats, the main room already filled to brimming, even at this early hour, an indication that this commemorative Trade outing was the lions share choice over any other. Establishing our spot, strangely nowhere near the D.J. booth for a change, we soon bumped into yet more friends & faces from clubbing years past & present, Chris Brogan & co lapping up the building main room atmosphere, even old Trade babies Glen & Maz, two iconic individuals from our years in Turnmills, very much in the thick of the developing action, the Arcadia main room having the closest feel to the former Farringdon home we have experienced. And looking around, the team had certainly gone to extra effort to make it feel as much like Trade & Turnmills as possible, the walls blazoned with Trade Mark artwork, classic trade production hanging from the ceilings & just enough laser lighting to give it that truly decadent & rave house feel that we had so loved back in the club’s heydays.

But, we were keen to investigate further & with the other spaces opening, we ventured forth, first checking out the classic room which was about to get going, then the space opposite, interestingly set aside as a darkroom, and eventually finding our way down to the lite lounge where Circus resident Kris Di Angelis was setting the scene with some sordid sounds. Bounding up to say hello, he seemed as pleased to see us, as we him, our encounter temporarily putting him off his stroke, although it wasn’t long before he was back in the groove & stirring up a storm of terrific tunes to tantalise, so, having found our feet across the expanse of the venue, we headed back into the main room where Nick Tcherniak had taken over the decks duty. Finding favour with each & every track selection, his set slowly built from the more melodic classic Trade sounds through to energetic hard hitting house that had us spinning in a dervish in our spot towards the back of the dancefloor, yet with the space now rammed with party heads, we struggled to find room to dance extravagantly as we had so been used to doing both in the Trade of old & the Beyond of new, eventually finding a spot to swing our pants & settle into his set.

So good was Nick’s music, especially when he pulled out & played the fabulous “My People”, we were in absolute heaven & loving every minute of his magical mixing, our pal Benoit struggling to find his own pace with the tough edged tech sounds, but so many old Trade faces lapping up this 20th birthday bash with gusto. Then, as if Nick had been brilliant enough, up stepped recording partner & Trade original resident Steve Thomas (known affectionately as Janet) upped the ante with an octane fuelled string of sounds that well & truly set the room alight, closing our eyes for moments of his magnificent music, transporting us right back to the 90’s & those tremendous times at Turnmills in his hands. So superb were the sounds & so amazing the atmosphere, we were now going absolutely nowhere, even the massive screen in front of the D.J. booth firing up & displaying iconic Trade visuals to add to the incredible laser lighting & other effects that were giving this main space at Arcadia a fantastic Trade-esque feel.

Now the place was swarming, our extravert moves on the dancefloor only rarely traded for refreshment & relieving stops, the whole venue a veritable feast of eclectic & euphoric Trade followers, very much a who’s who of clubbing and clearly the only place to be on this final day of October 2010. And with the morning hardly half way through, there was so much in store, not only from a prolific PA performance from Lizzie France, who, to our delight, ascended the main room podium right next to us to belt out the Tcherniak & Thomas collaborative EP hit “The Answer”, but didn’t stop there, treating us to three other tracks, before making her leave & handing the controls of this colossal commemoration to Trade over to none other than Pagano. In an instant, this disc spinning maestro had the room in his grip, switching the feel, pace & direction delightfully, swarms of Pagano followers surging forward towards the D.J. booth to soak up his sounds, while the podiums were topped with Logan’s muscle-bound go-go dancers to give this Trade party a distinctive edge.

With the heat of the main room beginning to bite and our pal Benoit in need of some lighter edged music, not to mention a truck load of messages on our phone from a sadly missed & absent D.J. friend, we headed into the lite lounge where Fat Tony had taken charge, flanked by the vivacious vocalist Tonnic, ready to take the space by storm. And that they did, the room a wall to wall sea of bare chested bodied man hunks & glorious girls, all intent on non-stop dancing to Tony’s towering tracks, while, like in the main room before, we quickly found our feet re-tuning ourselves to this more uplifting & accessible musical magic, this time positioning ourselves in our favoured spot, yes you guessed it, just left of the D.J. booth, fighting off the perspiration & heat of this lite lounge love-in, as Tonnic delightfully added her vocal infusions to the scintillating sounds been selected. Now Benoit was in his own heaven, the feel more akin to Beyond than Trade, although we knew exactly where we were, memories of two years ago flooding back in our minds, only the stifling heat stopping us in our tracks in favour of respite out on the rain soaked smoking terrace and the occasional dive into the main room.

With morning turning to afternoon & the a list crowd showing no signs of dissipating, we continued to savour the delights of this awesome Trade anniversary, the lite lounge finding favour over the other spaces, many familiar faces also finding their way there, we catching up with the pals Michelle Thornber, Clayton Wright, Tom Marchant, Clington Forbes, Tamsin Roberts, Joel Thomson, Guy Williams & many more, all soaking up the lite lounge sounds, even bumping into yet more faces old & new. Plus, catch up moments out in the terrace, including those with Simon Patrick & Pagano himself, matched by earlier liaisons with Per QX, Lee Yeomans, Mauricio Ortiz, Paul Weller, Adam Barr, Gabriele Cutrano, Ross Patterson & Hassan Hatoum, to mention just a few (we can’t leave out Glen & Maz of course), meant that this party was living up to its billing as not the place to be but the gAylist place to be. Indeed, the constant wave of people either saying their hello’s to us as Matt or as Disco Matt, some recognising us from recent times, others from the past, all combined to make this one of the more memorable events in our clubbing year thus far.

But, as truly terrific this Trade birthday bash was, our decadent delighting had to come to an end, the stifling heat in the lite lounge having drained us of most if not all of our energy, an upsetting encounter in the main room sealing our departure fate, not to nicest end to this prolific party that we had wanted, although the mound of mesmeric minutes we have experienced throughout our nine hour marathon far outweighing this unfortunate end to our day. So, waving farewell to Arcadia & Trade, we sauntered into the West End to recharge our batteries & gather ourselves for the next instalment in our weekend of wonderment at DTPM’s “Eastbenders” bash, yet still full of tremendous moments of Trade magic etched on our mind & in our soul that would mean it would be hours before the euphoria of this epic encounter with the mother of all clubbing brands wear off.

Trade, having dominated our lives throughout the nineties, can be held solely responsible for shaping our clubbing world. Yes there have been so truly ground breaking clubs since that have & still form a major part of our lives, the iconic Crash being one & Beyond undoubtedly the other. Yet, as much as Trade is now only an occasional outing, it still holds all that magic it did back in those heady days of Turnmills. And with its 20th birthday bash, the brand proved that it remains just as decadent, just as debaucherous & just as delightful as it always was. Whilst Arcadia did prove a brilliant host venue, the heat of both the main room & the lite lounge was sometimes too much to bear, plus the overzealous security did put a dampener on the party for some, reports coming in of sporadic checks for no reason, an unfortunate result of issues from two years before, added to the fact that the place was a little on the dirty side for others.

However, that said, Trade’s 20th lived up to our expectations & more, real highlights coming in the shape of scintillating sets from Nick Tchernaik, Steve Thomas & Fat Tony, even the vocal infusions from Lizzie France, Tonnic & friend, adding extra spice to an already enormous event that has to go down as another titanic Trade triumph. But, all the highlights aside, what really made the party were the people, a magnificent mix of old faces & new, all intent on having the best time possible & making the most of this mesmeric mash up as only Trade & a handful of other parties can achieve. Plus, the news that Laurence’s brand will be back for more on a regular basis, should sufficiently shake up the scene & give it the injection of energy it needs, leaving us to raise our glass to Trade & its Tremendous Twenty Turn and may we wish it plenty more. (DISCO MATT)

Over the years we have slowly seen Halloween gain popularity in London, the all American style of celebrating infiltrating Britain & very much taking over the traditional pagan style parties that used to take place up until only a few years ago. And in clubland, it seems that Halloween is much more of a significant date too, many jumping on the bandwagon & choosing to throw specialist events to celebrate what is traditionally simply the eve of All Saints day, but has come to mean so much more for many. Indeed, more & more grown-ups go to the trouble & expense of dressing up in ghostly & ghoulish outfits to mark the occasion, parading around the streets of London with gay abandon and entering into the spirit of Halloween, often out numbering ten to one, the children playing out the more typical trick & treat antics, the adults trading the doorstep for the dancefloor to cavort in their costumes for one night only, well maybe the morning after too.

So, it came as no surprise that the club scene south of the river would be serving up its own offering for Halloween, doing its best to tempt people out with s specially themed party, aptly named “Vauxhall Chainsaw Massacre”, with the added enticement of a headline international D.J./Producer to compliment the impressive line-up, not to mention much promise with regard the decor & delights in prospect at host venue, superclub Colosseum. Add the that the teaming up of new A:M promoter & the flavour of the moment, Oliver M, with the Beyond B2B team, the scene was set for a spectacular Saturday night down Vauxhall way, we having been enticed away from our planned visit to Guy Williams’ “Black Rabbit” 4th birthday bash, in preference to supporting Mr Mohns, plus catching up with Industri pals & D.J. close friends Brent Nicholls & Eduardo De La Torre. However, two questions’s remained, did we make the right decision? And how did this Halloween House Horror turn out?

With much debate occurring between us & friend Benoit during the day, not just over the change of clocks, but whether we would venture out clubbing before the big one, Trade’s 20th Birthday, we finally decided that a trip to Vauxhall rather than Maida Vale was on the cards, firming up arrangements during the course of the evening and then scheduling an arrival at Colosseum at not long turned midnight. And as we had been greeted at A:M just a few hours before, the ever smiling & welcoming Minty was on hand to greet us, we eventually negotiating the maze of fencing at the door to find ourselves in her presence, even joint promoter, Oliver M, appearing at the door to say hello. But with the weather having turned quite cold & wet, we were keen to get inside the club, although not before the usual formalities, which this time included catching up with Tom Fuller who was keeping warm just inside the entrance and making himself useful with ticket collections & sales.

With the promise of delivering a warming shot of Sambuca back downstairs to Minty complete, we armed ourselves with our own refreshments and sad our hello’s to Pier Morrocco, who like Minty, we had seen at A:M and was, this time, on D.J. duty in the aptly named “Riverbar”, a view of the Thames out from its windows the inspiration. Mind you, with most of the action happening in the main room, we soon found ourselves in our usual spot, yes you guessed it, just left of the D.J. booth and savouring the delights of guest D.J. Andrei Stan for the second time this Halloween weekend, this enigmatic & fun-filled young man serving up a superb selection of sounds, tough & euro-style yet uplifting enough to rouse the select audience into audacious action.  But, as select as the crowd may have been, we were very impressed with the amount of people that had made the effort to come in costume, the pathetic extent of our outfit merely a skull & cross-bones on a t-shirt, paining in significance to those around us, especially one such person who surprised us with a tap on the shoulder. Reacting to this prompt, we turned to face the individual, who we did not immediately recognise, only a closer inspection revealing it to be our Industri close pal Stephen, the make-up shrouding his familiar features and his clothing completely hiding his usual persona, so well that we were astounded by his transformation. Clutching a skull in one hand & a spear in the other, not to mention a ball & chain tied to his leg, Stephen was cutting an impressive stride and certainly matching the best costumes in this Halloween house horror of a happening, even many of the dancers outfits failing to make as much of an impression.

Looking around the main room, the team had certainly gone to the effort of sprucing up the place to give it a ghostly & ghoulish feel, the performing stage to the side featuring a similar chair to that we had seen in A:M’s Asylum party, although there were plenty more effects besides which certainly gave the main room a special feel, even if the atmosphere felt a little flat. With Andrei still in control, we went in search of the VIP (second room) space, having seen the posters indicating that Brent Nicholls was playing, we sure this not being the case as he was already committed to Hard On! and our conversation earlier had indicated that he wasn’t due to play at this “Massacre” event until later, our suspicions being confirmed when we found Lee Harris waiting patiently, the room still not open, a poor Mr Harris having been left high & dry for most of the first couple of hours with no real news to the contrary.

Having grabbed a short break outside & taken a message from our friend Benoit who was heading our way, we were back in the main room & catching up with plenty of familiar faces including Industri friends, Chris, Jeremy & Andrew, as well as long standing clubbing pal Johnny Salas with his own little entourage, many of whom had adorned themselves with suitable Halloween make-up & more, very much throwing themselves into the event with gusto. But it was back to our spot next to the D.J. booth that we found ourselves, Andrei having handed over to special guest, D.J/Producer David Penn, who assumed the decks and set about treating us to a full on euro-style & euphoric set of sounds, although it seemed that even he wasn’t going to lift the lack lustre atmosphere, the flat as a pancake feel a bit perplexing as was the scant amount of numbers, even if many had made the effort to dress to impress. Plus with no real second space on offer, we were condemned to making the most of what we had, our friend Benoit arriving & quickly drawing the same conclusions as us on proceedings.

However, we were boosted with the arrival of D.J. close pal Eduardo de la Torre, who was due to play in the second space, we praying that a change of heart by the event promoter, the seemingly single handed Oliver M, would see this VIP space roar into action. But, none of it, poor Eduardo, who had travelled across from his Berlin base especially for the promised gig, being left out in the proverbial cold with no proper explanation or information. It now seemed a case of damage limitation as the stage show did it’s best to ignite the faltering atmosphere, The Free Radical Formation’s Rob Harris injecting all his energy into a powerful & punchy performance of two tracks which gave the event a temporary lift, as did the drop dead gorgeous hunks of dancers that were framing him on the podium in front of the D.J. booth. But, with the show over, we were beginning to watch the clock until our trip across to Trade, it seemingly like many had chosen to either save themselves for the big birthday, or had decided Halloween parties at home were the preferred option, news also coming our way that Brent Nicholls had been cancelled, signalling the last straw in our stamina for this party.

It was now just a case of counting down until we could grace our exit, although with Gonzalo taking over the decks, we were given some joy, as his selections were definitely hitting the mark, even our pal Benoit beginning to enjoy himself at last. And with Mis-White & friend in close call trading dancing moves with us, we made the most of our final massacre minutes, the whole party feeling very much that, rather than the resounding success the build up & billing had promised. So, with the strike of 5 a.m., it was curtain call time on this chainsaw calamity, the main room dancefloor having thinned before our eyes, many either choosing a hip skip & jump across to Beyond Hell at Area, which was getting underway, or like us, making the journey across to Southwark & the mother of all parties this Halloween weekend, Trade’s 20th birthday.

Well, what can we say about this promised biggest & scariest Halloween party in London that was the Vauxhall Chainsaw Massacre that we haven’t already? Well, apart from the fact that it failed to attract anywhere near the following the team had expected, the whole night felt extremely flat & monotone, only brief sparks of brilliance coming from the D.J.’s on duty, as well as the stage performers & dancers. And of those duty D.J.’s, it simply beggars belief the way Eduardo de La Torre was treated during this event. Yes, the decision was made not to open the second room and yes, he was probably paid a cancellation fee, but having travelled all the way from Berlin and not even been given the opportunity to play in preference to London based D.J.’s is a disgrace in our books. Had it not been for the fact that we were in good company, that so many people had made the effort to dress for the party & that we really wanted to catch up with the people we did, we would have left Colosseum a lot earlier than we did, or indeed forgone the party completely. As a review after the event summarised, the party definitely lived up to its name and we will leave you to judge exactly what name that was. (DISCO MATT)

When it comes to afterhours clubbing, there is something quite special about the whole feel of partying deep into a morning, particularly at the weekend, pushing the boundaries of normality & delving into dancing decadence while most other folk are tending to the regularities of life, whether it be the housework, the grocery chopping or simply relaxing & readings the broadsheet press. Sunday mornings have always grabbed the lion’s share of our extravert clubbing activity, from the days when we paid homage to our own version of church, better known as Trade at Turnmills, through to more recent times when Beyond has pretty much dominated the Sabbath day more than anything else we can think of. However, Saturday mornings rarely get our attention, more latterly due to work demands during the week & then clubbing demands in the fat end of our weekend, although with much a-foot following the re-designing & refocusing of one such Saturday sortie, we felt it was high time to make the effort & pull our finger (maybe more) out.

A:M has quietly & consistently filled the gap in the Vauxhall clubbing market between Friday & Saturday nights, the nature of its popularity & its crowd waxing & waning with the changing times over its 9+ years of existence, the club rarely hitting the headlines, rather its cool & calm persona seeing it survive the test of time, while other offerings hardly failed to get off the ground. Yet, A:M never really ignited into something special, it being the Christmas equivalent to a stocking filler to the club circuit, rather than a full-on whacking great big present under the tree, although with news that the team behind this Saturday morning outfit, The Orange Group, were to introduce a new look, a new style, but moreover a new promoter, we were very much preparing ourselves for something exciting, fresh & much more appealing to the former look. Incumbent A:M top cheese, one Oliver M (of ex-Matinee through Matador & Impact fame) promised much in terms of new D.J.’s, new direction & an altogether more delicious new feel and with news filtering through following the re-launch night that the difference was considerable, we simply had see it for ourselves.

So, having succumbed to another impromptu yet thoroughly entertaining evening with Phil Marriot & his man Russel at Profile in Soho, swiftly followed by a foray Onyx way, we dashed home to re-collect ourselves ready for our walk on the wild side back to Vauxhall and A:M’s Halloween offering, “Asylum”, a fitting start (well continuation as it turned out) to our hectic weekend of clubbing activity on this last weekend in October. Arriving at Fire’s doors at not long before 5 a.m., we were greeted by the door hostess with the mostest, the magnificent Minty, the first hint of some majorly positive changes to the club, although in some ways it was a bit of a homecoming for her, as in years gone by she had been the face of A:M, so much more of a welcome back rather than a welcome to.

With catch up formalities over, we negotiated the rather large coatcheck queue; always an issue with Fire, yet a good sign in a way as the club was clearly busy, eventually finding our chilling bones inside & into the heat of the lounge space which was packed to the rafters & wall to wall with bodies, pulsating to the pumping & uplifting house, the legendary Fat Tony was turning out, the whole room alight with the sort of electric atmosphere normally reserved for Trade, Beyond & Orange. With a whole host of familiar faces lapping up Mr T’s terrific tracks, after one hello after the other, we found a small spot just shy of the D.J. booth where we came upon clubbing scene face & effervescent character, Romano Hendry, we immediately trading moves & talking points on what was clearly the party to be at, the lounge in Tony’s hands the perfect way to warm up our Saturday & get us in the mood to party deep into the morning. Our already excitable mood was heightened more when the deck meister pulled out none other than “Release Me”, sending the soaring atmosphere skyward, those who had room among the mass of bopping bodies, raising their hands (as the lyrics go) high above their heads in exultation of both the sound selection & the song itself, pure heaven.

But, we were keen to investigate the rest of the club, so squeezing our way out of the tightly packed lounge space, we headed for the main room, which was equally as full with a cavorting crowd lapping up the tougher yet accessible euro beat sounds of guest D.J., the adorable & cuddly Andrei Stan, of La Demence fame. Indeed, the man behind the decks was clearly enthralling his audience with one terrific tune after the next, very much testament to his tremendous talent that we had been so impressed with following his spectacular showing at both Matador & then Beyond earlier in the year. But, before we could dive behind the D.J. booth to say our hello’s, A:M’s new man Oliver M bounded up to say hello, lifting us high into the air in his usually charming & welcoming fashion, then immediately seeking our views on the club & the changes he had been masterminding. And, in fairness to what we had witnessed thus far, not only did the place feel much busier than we had seen it in a long time, but the D.J.’s choice of music certainly seemed to be hitting many more sweet spots, the lighter edge to the sounds much more palatable than before and the club itself feeling much more of a club & gay with it, rather than a stop off point for drunken debauchery & straight socialising that had all too often been an overriding element of the old.

Intent on catching up with Andrei, we were behind the D.J. booth in a trice & delighting in the company of the little man between his superb selections, he even entertaining us with his dancing by the decks, not to mention an improvised hop-scotch performance that had us in hysterics. Yet, as good as Andrei’s dancing & disc spinning was, we were perfectly placed to see the incumbent stage show, as Elektra Paris & her team ascended the space in front of us, to play out a pervy Halloween inspired performance, centre-pieced by a huge chair with a gorgeous go-go tied to its arms & back & enacting an electro twisted torture in the hands of a masterful Elektra (who else), much to the delight of the crowd who were cheering her every move, not to mention the macho male’s squirming in the seat. With the show over all too soon, Andrei re-assumed control of the main (turbocharged) room, continuing to strike resonance with the revellers in advance of the arrival of Alessandro Londra, who was to assume the decks & the headline main room slot for the night.

However, we were mirrorarch (fresh) room, which had been opened to its full extent, D’Johnny in charge of the decks and filling the space in an instant with his superlative sounds, very much more in the old style of A:M, tougher funky & electro twisted beats finding favour with the faithful and short of emptying the main floor of followers. And it was here where we caught up with pal Tom Fuller, who was enjoying some r&r after yet another hectic Friday shepherding scores of clubbers into Onyx before & now A:M as no other person can do better. Standing by the bar looking on & across this second room space, it was clear that this was now where the party was at, D’Johnny revelling in the action, as the podiums quickly filled with party heads intent on showing their appreciation for his efforts. However, what was to follow, somewhat left us (and many) bamboozled, as not long short of 7 a.m., the music ground to an immediate halt & the room was closed, leaving many wondering why.

Hunting down promoter Oliver M, we discovered that he was concerned that the main room had emptied, so had made the conscious decision to close the mirrorarch in attempt to recapture the turbocharged impetuous of before, although rather than leaving Alessandro to re-ignite the full-on feel, Andrei Stan was back behind the decks, picking up where he had left off and leaving our bello Mr Londra confused & deflated as a result. But more was to come, as not too long afterwards, the mirrorarch was re-opened but only as far as the now erected screens, leaving second D.J. for the night, Pier Morrocco, to play behind the screens & to an empty dancefloor, meaning that he couldn’t see his audience or his audience him, we scratching our heads in dismay, then like many, choosing outside for in, drinking for dancing & socialising for sashaying, wondering quite what direction the remainder of this A:M outing would take us.

However, with the morning still quite young, we threw ourselves into proceedings, re-joining Andrei behind the main room decks, further showings by Elektra & her dancers, doing their best to re-kindle the amazing atmosphere of before and Fat Tony still holding considerable sway in the NYC style lounge. And it was here where we saw out the remainder of this “Asylum” action, Minty holding court and Alessandro by our side still shook up by the happenings of the day, we doing our best to console him & put a positive spin on it all. But, with our sights on a hectic schedule ahead, we dived back into the main room for a final fling, catching in-bound D.J. Alan K (a welcome return at that) who was to capture the initiative & see the party out in his usual pulsating & powerful style, we eventually bowing out to head home & reflect the good, the bad & the indifferent of this new look A:M.

In drawing our conclusion as quickly yet as positively as we can, there is absolutely no doubt that A:M is improved on before. Not only does it feel much more of a club outing now, but it has much more of a qualitative content over the old. Fat Tony is obviously a huge asset & it showed in just how he packed out the lounge space, plus the introduction of more depth to the D.J. line up has had an evolutionary effect, although probably the most striking improvement is in the crowd, which is very much gayer, clubbier than & not quite as trashy as before. Plus, there is no question that all these changes have made A:M much more popular, the numbers through the doors speaking for themselves and the overall effect is that the club has a more accessible feel and our overall impression is, on the whole, a positive one.

Yet, as good as all these improvements are, we walked away dumbfounded by aspects of the delivery at “Asylum”, not least the non- sensicle use of the D.J.’s and the two/fro closure & opening of the mirrorarch. To use a D.J. to play to an empty dancefloor is simply ridiculous and to chop & change the main room artists, ended up being short of disastrous, leaving us to wander whether it was done in a moment of madness & whether there was any method to the decision making. In defence of A:M, we understand the second room was not set up properly, but then surely this was a fundamental error that should have been spotted at outset and, in our view, is the responsibility of the promoter to ensure that the club is prepared as it should be, before the doors are opened. Add to this the decisions made during the course of the evening, plus the fall-out & threats waged at us following the event, and we are left scratching our heads over the actions of A:M’s new hands. That said, as for the club itself, we like the new direction & we wish it every success for the future, a future we hope is full of good decisions & delivery. (DISCO MATT)

This Is Disco Matt
Who Is Disco Matt?
Disco Matt is London’s original party boy and independent journalist who previews, reviews & recommends London's best gay clubs, events & businesses, links to & reviews the scene top D.J.’s and generally covers the gay scene including international gay clubs & events.
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